News

Friday 2026-03-20

02:00 AM

Afroman Wins: Jury Rules Mocking Cops Who Raided Your Home Is Protected Speech [Techdirt]

As we wrote just yesterday, the defamation trial brought by seven Adams County, Ohio deputies against rapper Afroman was going about as well for the officers as their original botched raid on his home. Today we can report the inevitable conclusion: the jury sided entirely with Afroman, clearing him of all liability after just hours of deliberation.

To recap briefly: deputies raided Afroman’s home in 2022 with guns drawn, found essentially nothing, filed no charges, broke his door (and his gate!), and got caught on his security cameras doing embarrassing things — including one deputy who appeared to cautiously eye a delicious-looking lemon pound cake. Afroman turned the footage into multiple viral music videos. The deputies, upset about being mocked, sued him for $3.9 million claiming defamation and emotional distress. The jury took just a few hours to say: nah.

The best part might be the closing argument from the officers’ attorney, who told the jury:

“Mr. Foreman doesn’t get to wrap himself in the American flag and say you can’t touch me, I can say what I want, no matter how untrue it is, no matter how much pain it causes people, because I have freedom of speech. He can’t do that.”

Afroman’s lawyer quickly responded that he can, in fact, do exactly that. That’s how the First Amendment works. Especially when talking about public officials. And then the jury agreed. This is especially delicious given that Afroman literally wrapped himself in the American flag for the entire trial, showing up each day in that wonderful suit.

Afroman’s own testimony summed up the whole case more concisely than any lawyer could:

“All of this is their fault, and they have the audacity to sue me.”

And through all of this, Afroman never stopped making music mocking these officers — right up to the trial. Here he is calling out Deputy Randy Walters:

And here he is set to the tune of the Battle Hymn of the Republic, reminding everyone that the proof of everything he’s saying is right there on the internet for anyone to see:

So the deputies sued because they were embarrassed by viral music videos, and, in doing so, created a three-day trial that generated a whole new wave of viral content about them, drew national media attention, and ended with a jury telling them they had no case. The Streisand Effect remains undefeated.

As Afroman’s lawyer told the jury in closing, citing NWA’s “Fuck Tha Police” and Richard Pryor’s comedy:

“I’m sorry they feel the way they do, but there’s a certain amount that you have to take as a public official, it’s part of the duties of the job. What chilling effect does that have on the world we live in? You don’t like what a public official does and you make a joke, and you’re dragged into court?”

There’s a serious point underneath all the absurdity. Public officials who raid your home for no good reason, find nothing, and break your stuff don’t get to then use the courts to punish you for talking about it. That’s the whole ballgame on the First Amendment, and the jury understood it perfectly.

Afroman summed it up outside the courtroom saying:

I didn’t win. America won. America still has freedom of speech. It’s still for the people, by the people!

Well said. And I hope the Adams County Sheriff’s Department is looking forward to Afroman’s next release.

12:00 AM

Freedom of focus [Seth Godin's Blog on marketing, tribes and respect]

Tonight, when you’re off the clock, what will you listen to, watch or read?

I imagine that most of us would agree that this is a free choice. To watch a silly video on YouTube, read a book on Greek philosophy from the library or scroll your feeds. We have time (surprisingly called “free”) and we allocate it to focus our attention on something.

While it might seem like a free choice, well-paid people and powerful forces are working to shift our focus. Many systems are built to manipulate us into focusing on things that benefit them, not us.

If you’ve ever felt lousy after doomscrolling, you might question how free your free time actually is. It takes effort to regain our freedom of focus.

We can take this one step further. We not only make choices about the media we consume, we also make choices about our internal focus. Until you got to this sentence, I’m guessing you weren’t spending much time thinking about your high school graduation.

We don’t need research to show us that the internal narratives we focus on shift our attitude and soon become our reality. We’ve all experienced it. Soon after we stop the broken record, things get better.

Perhaps it’s not a free choice, though. Perhaps the stories we relentlessly focus on are simply the byproduct of our brain’s chemical reactions, a reaction to the world inside us and around us.

And yet… many people have learned to shift the stories they rehearse.

The first step: change the external focus. Change the people we interact with, the media we consume, the attention we offer. Not all at once, but as a habit, a persistent practice of being mindful about the triggers and amplifiers we consume. If you’re not happy with what your attention is bringing you, you can change it.

Aristotle said that we become what we do, but before we do, we focus.

And the freedom and responsibility of that focus belong to us.

      

Pluralistic: Love of corporate bullshit is correlated with bad judgment (19 Mar 2026) [Pluralistic: Daily links from Cory Doctorow]

->->->->->->->->->->->->->->->->->->->->->->->->->->->->-> Top Sources: None -->

Today's links



A bearded man's cross-sectioned head, upside down, the skull flipped open; his brain is falling onto a tabriz rug below. His visible eye is wide and orange. The background is murky, green-tinted folds of a brain.

Love of corporate bullshit is correlated with bad judgment (permalink)

I'm a writer, so of course I care about words! But I'm a writer, so I also think that words are improved by their malleability, duality and nuance.

This is one of the things I love about being a native English speaker – this glorious mongrel language of ours is full of extremely weird words, like "cleave," which means its own opposite ("to join together" and "to cut apart"). English is full of these words that mean their own opposite, from "dust" to "oversight" to "weather":

https://www.mentalfloss.com/language/words/25-words-are-their-own-opposites

This is what you get when you let a language run wild, with meaning determined (and contested) by speakers. Not for nothing, my second language is Yiddish, another glorious higgeldy-piggeldy of a tongue with no authoritative oversight and innumerable dialects.

Semantic drift is a feature, not a bug. It's how we get new words, and new meanings for old words. I love semantic drift! I mean, I'd better, since, having coined "enshittification," I'm now destined to have a poop emoji on my headstone. Having coined a word – and having proposed a precise technical meaning for it – I am baffled by people who make it their business to scold others for using enshittification "incorrectly." "Enshittification" is less than five years old, and we know when and how it was invented. If you like it when I make up a word, you can't categorically object to other people making up new meanings for this word. I didn't need a word-coining license to come up with enshittification, and you don't need a semantic drift license to use it to mean something else.

I wrote a whole danged essay about this, but still, hardly a day goes by without someone trying to enlist me in their project to scold and shame strangers for using the word incorrectly:

The fact that a neologism is sometimes decoupled from its theoretical underpinnings and is used colloquially is a feature, not a bug. Many people apply the term "enshittification" very loosely indeed, to mean "something that is bad," without bothering to learn – or apply – the theoretical framework. This is good. This is what it means for a term to enter the lexicon: it takes on a life of its own. If 10,000,000 people use "enshittification" loosely and inspire 10% of their number to look up the longer, more theoretical work I've done on it, that is one million normies who have been sucked into a discourse that used to live exclusively in the world of the most wonkish and obscure practitioners. The only way to maintain a precise, theoretically grounded use of a term is to confine its usage to a small group of largely irrelevant insiders. Policing the use of "enshittification" is worse than a self-limiting move – it would be a self-inflicted wound.

https://pluralistic.net/2024/10/14/pearl-clutching/#this-toilet-has-no-central-nervous-system

Colloquialization doesn't dilute language, it thickens it. Using a powerful word to describe something else can be glorious. It's allusion, metaphor, simile. It's poesie. It's fine. Bemoaning the "tsunami" of bad news doesn't cheapen the deaths of people who die in real tsunamis. Saying that the Trump administration "nuked" the Consumer Finance Protection Bureau doesn't desecrate the dead of Hiroshima and Nagasaki. Calling creeping authoritarianism a "cancer" doesn't denigrate the suffering of people who have actual cancer.

What's more, devoting your energies to "correcting" other people's allusive language makes you a boring, tedious person. Sure, you can have a conversation with a comrade about making inclusive word choices, but interrupting a substantive debate to have that discussion is unserious. The words people use matter (I care a lot about words!) but they matter less than the things people mean. Keep your eye on the prize (metaphorically) (for avoidance of doubt, there is no prize) (both the prize and the eye are metaphors).

(By all means, get angry at people who intentionally use slurs. None of this is to say that you should tolerate – or be subjected to – language that is intended to dehumanize you.)

It's time we admitted that it's no good replacing an offensive term with a phrase that no one understands. Calling it "child sexual abuse material" is a good idea, but no one actually calls it that. The customary phrase is actually "child sexual abuse material, which most people call 'child porn,' but which we should really call 'child sex abuse material.'" If your goal is to avoid saying "child porn" (a laudable goal!), this isn't achieving it.

None of this means that I am immune to being rubbed up the wrong way by other people's language choices. Having been mentored by the science fiction great Damon Knight, I have been infected by many of his linguistic peccadillos, which means that if you say "out loud" in my earshot, I will (mentally) "correct" it to "aloud" (yes, "out loud" is fine, but Damon had a thing about it and it got stuck in my brain).

I am especially perturbed by "business English," the language of the commercial class, their cheerleaders in the press, and (alas) many of their critics. Anytime someone refers to a sector as a "space" (as in "I'm really getting into the AI space") it's like they're making me chew tinfoil. Superlatives like "thought-leader" are so self-parodying I have to check every time someone utters one aloud (see?) to verify that they're not being sarcastic. Objects of derision should be referred to by their surnames, not their given names ("Musk" is vituperative, "Elon" is friendly – though, thanks to the glorious and thickening contradictions of language, calling someone by their surname can also be affectionate). I steer clear of jargon used by firms to lionize themselves, like "hyperscaler."

I share the impulse to impose my linguistic preferences on the people around me. I just (mostly) suppress that impulse and try to focus on substance rather than style, at least when I'm trying to understand others and be understood by them. But yes, I do silently judge the people around me for their word choices – all the time.

That's why I immediately pounced on "The Corporate Bullshit Receptivity Scale: Development, validation, and associations with workplace outcomes," an open access paper in the Feb 2026 edition of Personality and Individual Differences by Shane Littrell, a linguistics postdoc at Cornell:

https://www.researchgate.net/publication/400597536_The_Corporate_Bullshit_Receptivity_Scale_Development_validation_and_associations_with_workplace_outcomes

Littrell set out to evaluate "corporate bullshit," a linguistic category that is separate from mere "jargon." Jargon, Littrell writes, is a professional vocabulary that serves a useful purpose: "facilitat[ing] communication and social bonding, increas[ing] fluency, and help[ing] reinforce a shared identity among in-group members."

Bullshit, meanwhile, is "semantically, logically, or epistemically dubious information that is misleadingly impressive, important, informative, or otherwise engaging." There's a whole field of bullshit studies, with investigations into such exciting topics as "pseudo-profound bullshit" (think: Deepak Chopra).

Littrell borrows from that field and others to investigate corporate bullshit, formulating a measurement index he calls the "Corporate Bullshit Receptivity Scale." In a series of three experiments, Littrell sets out to determine who is the most susceptible to corporate bullshit, and what the correlates of that receptivity are.

Littrell concludes that corporate bullshitters themselves are pretty good at identifying bullshit (they have a high "Organizational Bullshit Perception Score"). In other words, bullshitters know that they're bullshitting. When a corporate leader declares that:

This synergistic look at our thought leadership will ensure that we are decontenting and avoiding reputational deficits with our key takeaways as effectively as we can in order to sunset our resonating focus.

they know it's nonsense.

This reminded me of the idea that cult leaders tell obvious lies to their followers as a way of forcing them to demonstrate their subservience. When Trump demands that his followers wear clown shoes:

https://www.msn.com/en-us/news/politics/trump-is-obsessed-with-these-145-shoes-and-won-t-let-anyone-leave-without-a-pair/ar-AA1XOEBm

Or that they pretend that "mutilization" is a word:

https://www.wonkette.com/p/is-trumps-save-america-fck-america

He's engaging in a dominance play that forces his feuding princelings and their lickspittles to humiliate themselves and reaffirm his supremacy.

There are plenty of rank-and-file workers inside corporations who have high OBPSes and know when they're being bullshitted, but Littrell also identifies a large cohort of low-OBPS workers who are absolutely taken in by corporate bullshit.

Here we get to a fascinating dichotomy. Both the low-OBPS and high-OBPS workers can be described as being "open minded," but "open" has a very different meaning for each group. Workers who are good at spotting bullshit score high on open-mindedness metrics like "willingness to engage" and "willingness to reflect," both characteristic of the "fluid intelligence" that makes workers good at solving problems and doing a good job.

Meanwhile, workers who are taken in by bullshit are "open minded" in the sense that they are bad at analytical reasoning and thus easily convinced. These people test poorly on metrics like "logical reasoning" and "decision-making," and score high on "overconfidence in one's intellectual and analytic abilities." They are apt to make blunders that "expose organizations to financial, reputational, or legal risks."

But they're also exactly the workers who score high on "job satisfaction," "trust in one's supervisor," and "degree to which they are inspired by corporate mission statements." These people are so open minded that their brains start to leak out of their ears. Or, as Carly Page put it in The Register: "jargon sticks around not just because executives enjoy using it, but because many people respond to it as if it were genuine insight":

https://www.theregister.com/2026/03/15/corporate_jargon_research/

This creates a feedback loop where bosses get rewarded for using empty and maddening phrases, and their workforce gets progressively more skewed towards people who are bad at spotting bullshit and at exercising their judgment on the job. It's quite a neat – and ugly – explanation of why bullshit proliferates within organizations, and how organizations come to be completely overrun with bullshit.

This is a fascinating research paper, and while I've focused on its conclusions, I really suggest going and reading about the methodology, especially the tables of "corporate bullshit" phrases they generated for their experiments (Tables 1, 2 and 3). This is some eldritch horror bullshit:

By solving the pain point of customers with our conversations, we will ideate a renewed level of end-state vision and growth-mindset in the market between us and others who are architecting to download on a similar balanced scorecard.

What's more, these are all based on real examples of corporate bullshit from leaders at large corporations, with a few words rotated to synonyms drawn from the business-press.

I'm a writer. I really do care about language. Sure, I get frustrated with scolds who rail against semantic drift or engage in petty, pedantic corrections, but not because words don't matter. They matter, a lot. But language isn't math (which is why double negatives are intensifiers, not negators). It can obscure (as with bullshit) or it can enlighten (as with poesie) or it can enable precision (as with jargon). Arguments about language matter, but what matters about them isn't subjective aesthetics, nor is it a peevish obsession with "correctness." What matters is the way that language operates on the world (and vice versa).


Hey look at this (permalink)



A shelf of leatherbound history books with a gilt-stamped series title, 'The World's Famous Events.'

Object permanence (permalink)

#20yrsago Eighth graders build giant awesome gymnasium rollercoaster https://web.archive.org/web/20060329110502/https://www.sgvtribune.com/news/ci_3606933

#20yrsago Bluetooth headset combined with headphones https://www.techdigest.tv/2006/03/itech_clip_m_1.html

#20yrsago HOWTO decode the sticker-numbers on fruit https://megnut.com/2006/03/14/read-the-numbers-on-your-fruit/

#20yrsago DRM shortens iPod battery life https://web.archive.org/web/20060319201837/http://www.mp3.com/features/stories/3646.html

#20yrsago McD’s employees’ secret recipes for improvised meals https://mcdonalds-talk.livejournal.com/158400.html

#20yrsago UK to US: we’ll only buy open-source fighter jets https://web.archive.org/web/20060420192203/https://www.vnunet.com/vnunet/news/2152035/joint-strike-fighter

#20yrsago Bruce Sterling’s SXSW keynote MP3 https://web.archive.org/web/20060330072143/https://server1.sxsw.com/2006/coverage/SXSW06.INT.20060314.BruceSterling.mp3

#20yrsago UK Open University opens its courseware https://web.archive.org/web/20060610125235/https://oci.open.ac.uk/

#20yrsago Europe seeking to make open mapping impossible – help! https://web.archive.org/web/20060503172457/https://publicgeodata.org/Open_Letter

#20yrsago MPAA rep gets slammed at SXSW https://www.powazek.com/2006/03/000571.html

#20yrsago Canadian recording industry: P2P isn’t bad for business https://web.archive.org/web/20060408232202/https://www.michaelgeist.ca/component/option,com_content/task,view/id,1168/Itemid,85/nsub,/

#15yrsago First-person account from surgeon who removed his own appendix https://www.theatlantic.com/technology/archive/2011/03/antarctica-1961-a-soviet-surgeon-has-to-remove-his-own-appendix/72445/

#15yrsago New York Times paywall: wishful thinking or just crazy? https://memex.craphound.com/2011/03/17/new-york-times-paywall-wishful-thinking-or-just-crazy/

#15rsago Android app pwns cardkey entry systems, opens all the locks https://web.archive.org/web/20110317132608/http://www.cybersecurityguy.com/caribou.html

#15yrsago Glenn Grant’s Burning Days: old school cyberpunk stories from the nostalgic contrafuture https://memex.craphound.com/2011/03/17/glenn-grants-burning-days-old-school-cyberpunk-stories-from-the-nostalgic-contrafuture/

#15yrsago World’s largest spam botnet goes down (for now?) https://krebsonsecurity.com/2011/03/rustock-botnet-flatlined-spam-volumes-plummet/

#15yrsago Piracy doesn’t fund the mob or terrorists https://arstechnica.com/tech-policy/2011/03/even-commercial-pirates-now-have-to-compete-with-free/

#15yrsago Tennessee to outlaw collective bargaining for teachers https://web.archive.org/web/20110320023746/https://nashvillecitypaper.com/content/city-news/protesters-arrested-following-disruption-committee-hearing

#15yrsago Four Color Fear: delightful horror comics from the pre-Code era https://memex.craphound.com/2011/03/16/four-color-fear-delightful-horror-comics-from-the-pre-code-era/

#10yrsago Screw optimism, we need hope instead https://web.archive.org/web/20160318215827/https://littleatoms.com/society/cory-doctorows-manifesto-hope

#10yrsago Four sets of identical twins pull an epic NYC subway car time-machine prank https://www.youtube.com/watch?v=Z1Gq7Q3B9xU

#10yrsago Hack-attacks with stolen certs tell you the future of FBI vs Apple https://arstechnica.com/information-technology/2016/03/to-bypass-code-signing-checks-malware-gang-steals-lots-of-certificates/

#10yrsago Captured: a book of prison inmate drawings of CEOs and other too-big-to-jail criminals https://thecapturedproject.com/

#10yrsago From dingo babysitter to net neutrality hero: Tom Wheeler’s legacy https://arstechnica.com/information-technology/2016/03/how-a-former-lobbyist-became-the-broadband-industrys-worst-nightmare/

#10yrsago Poet/bureaucrat’s moving report of the 1921 demise of America’s most notorious wolf https://web.archive.org/web/20160327105045/https://www.fws.gov/news/Historic/NewsReleases/1921/19210103.pdf

#10yrsago Barnes & Noble wipes out Nook ebook, replaces it with off-brand “study guide” https://web.archive.org/web/20160316120232/https://www.teleread.com/barnes-noble-stole-first-e-book-ever-bought/

#10yrsago Scarfolk’s lost 1970s budget announcement lays bare the modern Tory strategy https://scarfolk.blogspot.com/2016/03/scarfolks-annual-budget-announcement.html

#10yrsago Junkbots from Madrid, recycled from iconic Spanish packaging https://web.archive.org/web/20160321103729/http://www.pitarquerobots.es/

#10yrsago First-ever Tor node in a Canadian library https://web.archive.org/web/20160319035440/https://motherboard.vice.com/read/canadian-librarians-must-be-ready-to-fight-the-feds-on-running-a-tor-node-western-library-freedom-project

#10yrsago How to do impromptu magic tricks without being a dork https://www.thejerx.com/blog/2016/3/14/project-slay-them

#10yrsago Sheriff says rape kits are irrelevant because most rape accusations are false https://www.oregonlive.com/pacific-northwest-news/2016/03/rape_kit_system_unnecessary_si.html

#10yrsago Redaction fail: U.S. government admits it went after Lavabit looking for Snowden https://www.wired.com/2016/03/government-error-just-revealed-snowden-target-lavabit-case/

#10yrsago McAfee shovelware emits tracking beacons https://web.archive.org/web/20160909030152/https://duo.com/blog/bring-your-own-dilemma-oem-laptops-and-windows-10-security

#10yrsago Cops in small MA town warn about roving rap-battle challengers https://www.kron4.com/news/cops-warn-residents-of-men-challenging-others-to-rap-battles/

#10yrsago Rather than banning “lobbying” by academics, UK government should encourage it https://web.archive.org/web/20160310100844/https://www.timeshighereducation.com/comment/ban-academics-talking-to-ministers-we-should-train-them-to-do-it

#10yrsago Russia’s military uses gigantic wooden comedy props for punishment https://semperannoying.tumblr.com/post/122390977886/semperannoying-russian-army-punishments-1

#10yrsago Study: people who believe in innate intelligence overestimate their own https://arstechnica.com/science/2016/03/think-intelligence-is-fixed-youre-more-likely-to-overestimate-your-own/

#5yrsago SNAPDRAGON https://pluralistic.net/2021/03/17/there-once-was-a-union-maid/#coming-out

#5yrsago How unions de-risk work https://pluralistic.net/2021/03/17/there-once-was-a-union-maid/#solidarity-forever

#5yrsago Meet the new music boss, same as the old music boss https://pluralistic.net/2021/03/16/wage-theft/#excessive-buyer-power

#5yrsago The People's Parity Project https://pluralistic.net/2021/03/16/wage-theft/#ppp

#5yrsago SMS security is flaming garbage https://pluralistic.net/2021/03/16/wage-theft/#override-service-registry

#1yrago David Enrich's "Murder the Truth" https://pluralistic.net/2025/03/17/actual-malice/#happy-slapping


Upcoming appearances (permalink)

A photo of me onstage, giving a speech, pounding the podium.



A screenshot of me at my desk, doing a livecast.

Recent appearances (permalink)



A grid of my books with Will Stahle covers..

Latest books (permalink)



A cardboard book box with the Macmillan logo.

Upcoming books (permalink)

  • "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, June 2026 (https://us.macmillan.com/books/9780374621568/thereversecentaursguidetolifeafterai/)

  • "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2026

  • "The Post-American Internet," a geopolitical sequel of sorts to Enshittification, Farrar, Straus and Giroux, 2027

  • "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, 2027

  • "The Memex Method," Farrar, Straus, Giroux, 2027



Colophon (permalink)

Today's top sources:

Currently writing: "The Post-American Internet," a sequel to "Enshittification," about the better world the rest of us get to have now that Trump has torched America (1002 words today, 52553 total)

  • "The Reverse Centaur's Guide to AI," a short book for Farrar, Straus and Giroux about being an effective AI critic. LEGAL REVIEW AND COPYEDIT COMPLETE.

  • "The Post-American Internet," a short book about internet policy in the age of Trumpism. PLANNING.

  • A Little Brother short story about DIY insulin PLANNING


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Thursday 2026-03-19

10:00 PM

David Zaslav Will Soon Get $550 Million For Disastrous Warner Bros Reign [Techdirt]

Brunchlords can only fail upward. It’s physics.

Warner Brothers CEO David Zaslav is poised to get as much as $550 million in compensation and tax reimbursement as the company prepares to be acquired by Larry Ellison’s CBS/Paramount:

“Zaslav, president and CEO of Warner Bros. Discovery, is set to receive $34.2 million in cash severance; $517.2 million in equity in the combined company; and $44,195 in continued health coverage reimbursement benefits, per a WBD filing with the SEC.”

The Wall Street Journal suggests his payout could top $800 million, though I think they’re double counting potential tax reimbursement.

Zaslav oversaw years of dysfunction during the last wave of pointless Warner Brothers mergers, which included thousands of brutal layoffs, consistent creative infighting, endlessly higher prices, cancelled programming, and a steady wave of overall dysfunction. And that’s before we even get to this latest merger with Paramount, which is expected to see more layoffs and chaos than ever.

Variety, as is generally the tendency for Hollywood trade mags, can’t be bothered to mention literally any of the real world consumer and labor costs of pointless consolidation. That’s just not of interest to editors there. They can’t even muster the interest to suggest Zaslav’s reign was controversial or that his payout might not be commensurate with any sort of actual real world competency.

If you visit the comment section of this story however, you can tell the public has… thoughts. You can find the same lack of interest in real world labor and consumer harms (and the public’s seething, palpable anger) at outlets like Deadline.

I’ve written a lot about the AOL–>AT&T–>Time Warner–>Discovery mergers simply because I think they perfectly encapsulate the pointless, destructive incompetence at the heart of modern media consolidation, and the cannibalistic nature of Wall Street’s obsession with illusory quarterly growth propped up by smoke, mirrors, and complex accounting.

Ever since the original AOL Time Warner merger back in 2001, pointless consolidation has promised no limit of innovative “synergies,” but instead resulted in more than 50,000 layoffsshittier producthigher prices, the death of a ton of well-loved brands and IPs, decades of chaos, a decline in quality journalism at places like CNN, and a bottomless well of shit.

It’s the extraction class abusing the rules of the game to pretend to be good at business. They’re not actually building anything useful, nor are they remotely interested in the longevity of the company, its customers, the talent that powers it, or the people who work there. They’re playing with funny numbers to try and perpetually generate the illusion of impossible permanent growth at incredible scale, then cashing out when the check finally comes due for their complicated shell games.

Now, we’re poised to see what could be the grand master of dysfunction with the Ellison family’s whopping $110 billion acquisition, backed heavily by Saudi cash. I don’t think it’s hyperbole to predict this latest deal could make all the past chaos and dysfunction look positively adorable. And at some point, the entire shell game will come crashing to the ground, with guys like Zaslav nowhere to be found.

02:00 PM

Plot Twist: Indie Authors are Landing More Traditional Publishing Deals than Ever [The Business of Printing Books]

Plot Twist: Indie Authors are Landing More Traditional Publishing Deals than Ever

Publish & Prosper Episode #111
Published March 18, 2026
Listen on: Apple Podcasts | Spotify | YouTube | Complete List of Channels


In this episode, Matt & Lauren explore the rapidly rising trend in indie authors signing major traditional publishing deals. The real plot twist? These days the authors are the ones with the negotiating power and leverage. We talk through:

🔮 How media influences publishing trends
💡 Outdated self-publishing stigmas (and what publishers are actually interested in)
🤔 Why indie authors would want to secure a publishing deal

And answer a few key questions to help indie authors interested in securing traditional publishing deals!

Episode Chapters

💡 Listen to These Episodes

💡 Explore These Resources


Complete Episode Transcript

Matt: Welcome to another episode of Publish & Prosper. Today we're going to be talking about something you probably never thought we'd be talking about. Or maybe I shouldn't say that. Maybe we would be talking about it. We're certainly happy about it.

Lauren: On the surface it does seem a little antithetical to our normal interests.

Matt: I don't think so anymore.

Lauren: I, I – well, I think that by the end of this episode, anyone who thinks that this is not a topic that makes sense for us to talk about will realize that it actually makes perfect sense for us to talk about.

Matt: Yeah, and it was one of our non-prediction predictions.

Lauren: It sure was.

Matt: For 2026.

Lauren: It was.

Matt: So it's okay.

Lauren: Okay.


[1:00] - Episode Topic Intro 

Matt: Today we're talking about the, the increase of indie authors who are getting traditional publishing deals. And specifically they're getting traditional publishing deals that work better for them. So there's a lot more creative rights being retained. We're seeing a lot of print only deals where the indie author’s getting to keep the rights to their ebooks, their audiobooks, anything digital. Sometimes they're negotiating, you know, production rights for TV and film or things like that. And I think that's really cool.

Lauren: Yeah, we're seeing specifically a rise in indie and self-published authors that are less so surrendering their exclusive rights across the board and more so partnering with traditional publishers. Still in terms of like, the traditional publishing contract, but with a little bit more nuance and negotiation that benefits the indie author.

Matt: Yeah, that's still the, the subtext. The, the headline is they're getting more deals.

Lauren: Yes.

Matt: More than ever. But the subtext is, yes, they're getting more deals with that flexibility.

Lauren: Yeah.

Matt: But the reason why the headline is that they're getting more deals is because it wasn't that long ago where we were in a world where they just weren't looking at indie publishing at all. And in fact, they were looking in the opposite direction.

Lauren: Yeah, there was, you know, not that long ago – I just got distracted by your socks. I really like them.

Matt: You know, these are my winter wool socks. And I finally bought a new pair of Docs so I'm, I'm breaking them in before we get to London. And the thicker the sock you wear the better when you're breaking them in.

Lauren: I learned that lesson last year when I got these. Although these are softer. These are the soft leather, so.

Matt: Yeah, these are just the old school like, thick leather. Like, they’re stiff. But.

Lauren: They're very aesthetic with the fit. They look good. Good – good job. Good work.

Matt: Thank you. I'd love to say I have a stylist, but I don't.

Lauren: No, you're doing it all on your own. And that's great.

Matt: Typically in the dark.

Lauren: Fair enough. Anyway, yes, I think that absolutely, we... Not that long ago, we were in a place where, you know, it might even be considered a mark against you. It probably was a mark against you.

Matt: It definitely was.

Lauren: There are still people –

Matt: Yeah.

Lauren: – today that might say, that might warn you against oh, if you really want to, want to traditionally publish this book or any book, self-publishing is, is a taboo. Like definitely don't do that. This is a myth, and we will prove that to you. But it's been really kind of a wild change over time, and I think it's really cool and interesting to see how it’s going.

Matt: Do you think it's fair to say that this has really become a thing moreso in the last... let's say five years – because of the rise of the romance genre and all of the subgenres that have been spun off from it in the last five to six years?

Lauren: You're not going to like my answer to this. Maybe. Yes. I think partially yes. Because while there are definitely examples of, of books that –

Matt: Sure.

Lauren: – were self-published and then either the book itself or –

Matt: There's always outliers.

Lauren: – there’s always, yes, like in other genres. This is predominantly something that happens in the romance – like a lot of the, the deals that we're seeing in the last couple of years have been specifically romance authors. But I also think that – and, and these things go hand-in-hand, because the rise in the romance industry –

Matt: Hold on. I don't dislike your answer, by the way.

Lauren: Okay.

Matt: That's the answer I was hoping for.

Lauren: Well, you're gon– you're not gonna like this next part.

Matt: Okay.

Lauren: And the answer – that answer is TikTok. And BookTok.

Matt: I’m less fond of that answer –

Lauren: I know.

Matt: – yeah.

Lauren: I know.

Matt: But I can’t argue with it.

Lauren: The rise in popularity of niche romance –

Matt: Niche romance?

Lauren: – is because of the rise in popularity of BookTok. So.

Matt: Wait, so you, you put that chicken before the egg? BookTok before the rise of romance?

Lauren: I think that BookTok is what it, is what instigated the, the rise in romance popularity.

Matt: The more recent sort of explosion?

Lauren: Yes.

Matt: I mean, because I think there was a rise and then I think there was an explosion.

Lauren: Yes. And I think BookTok is responsible for that.

Matt: At least from somebody who's kind of looking outward in as not a romance reader, as somebody who knows maybe a fraction of what you know about that. If I'm looking inward at that, that whole, you know, umbrella genre of romance, which there's seventy-five other subgenres in there. Like, to me, it seems like there was an explosion right around COVID.

Lauren: Yes, yes. And I think –

Matt: For obvious reasons.

Lauren: And I think that BookTok is what facilitated that –

Matt: Okay.

Lauren: – explosion. I think it was people were –

Matt: I can’t confirm nor deny that.

Lauren: Yeah.

Matt: It's interesting.

Lauren: I mean that could be a whole episode topic. I won't subject you to that. Maybe I'll make someone else do it with me –

Matt: I appreciate that.

Lauren: – or I’ll do it by myself.

Matt: I absolutely appreciate that.

Lauren: But I could easily I could probably do that off the cuff right now without outlining anything. Do a full –

Matt: You should do that by yourself.

Lauren: Okay.

Matt: And we should call it something totally different than Publish & Prosper.

Lauren: Okay. Alright. Hint received.

Matt: JK.

Lauren: But yes, I do think those things are absolutely connected. That this rise in the popularity of romance is directly influencing the, the interest in publishers securing deals with self-publishers. I also think – and this is a little bit of a tangent, and I'm sorry for that – that we have to kind of acknowledge that... that it's also connected to the unwillingness of major corporations to take risks anymore. And I think – when was the last time that you saw a movie that you were like, wow, this is an original concept? This is not –

Matt: Well, let me just say I agree with you.

Lauren: Okay.

Matt: Because back to your original point, I don't think this is some, like, shift in how traditional publishing is now really viewing indie authors as more credible as... There's, there's – that's where the dollars are.

Lauren: Yes.

Matt: So. Like a corporation, they need to go where the dollars are. Again, I'm not saying that's a bad thing, but I, I like to keep the baseline on my side of the fence over here. Like these are businesses.

Lauren: Yes.

Matt: And they function like businesses. And when they're hemorrhaging money, they have to go where the dollar signs are. So what you just said still lines right up with how I feel about this. Whether or not it was all spurred on by BookTok or anything else, they're still doing kind of what we expect them to do.

Lauren: Yes, absolutely. This is still like... you know, it's cool because it's getting a lot of exposure to indie and self-published authors.

Matt: I agree with that.

Lauren: It also happens to be helping the bottom line for all of these major corporations.

Matt: And I agree with that.

Lauren: Yes.

Matt: I'm a capitalist at heart.

Lauren: Which –

Matt: To a degree.

Lauren: Yeah. I mean, you know, one way or another, like, we can't – one can't exist without the other. Kind of. These days. So that is what it is. But like in the same way that we're seeing a rise in movies and TV shows that are all spinoffs or sequels twenty years later or remakes or this is an adaptation of a book into a movie or TV show, because studios are less willing to take risks on unknowns because there's no guarantee of return. They're much more willing to take risks, take risks on something that they say, oh, there's, there's clear, there's clear market –

Matt: Well –

Lauren: – there’s a known market for this.

Matt: But also let's be clear, this is all about content.

Lauren: Yes.

Matt: And all of the big five publishers, they're owned by media companies.

Lauren: Yes.

Matt: They're not owned by publishing companies. They're owned by media companies.

Lauren: The publishing – 

Matt: So there is –

Lauren: – companies are owned by media companies.

Matt: Exactly.

Lauren: Yes.

Matt: So there is a chain here.

Lauren: Yes.

Matt: So what you just said is also somewhat applicable to the way that they prove out content for the screen. They'll test it first at their publishing companies through those imprints, or whatever that might be. If it tests well as a book – boom – it gets kicked up the chain. Those media companies own TV and film production houses and things like that.

Lauren: Yes.

Matt: So, yeah.

Lauren: You’ll see it –

Matt: It’s all about content.

Lauren: – sometimes. It is. Absolutely. You'll see it sometimes – if you are... if you are an author that is listening to this, whether you are a fiction or nonfiction author and you have any interest at all in securing any kind of traditional publishing deal or like media rights deal. So whether that's TV, film, even audiobooks, like in some cases. If you are not paying attention to deals, announcements in places like Publishers Weekly or Publishers Marketplace or something, I would highly encourage you to do that. Because you will see trends that, you know... If a book went to auction, if you see that and you're like, I don't know what that means. If a book went to auction, that means that multiple publishing companies were quite literally at auction fighting for the rights to secure this deal because they all wanted it. That tells you something about the popularity or the projected popularity of that book. Maybe it'll tell you something about oh, like they're, they're shopping around for this type of content. Because remember, these deals are happening twelve months, eighteen months before the book is going to market.

Matt: Easily, yeah.

Lauren: So it's a good indicator of what's going to happen in the next year or two in publishing. You'll also see things slipped in there that these deals included film option. Sometimes these things happen where they, like the, the book will be optioned for film rights before it's even published. So pay attention to stuff like that if that's something that you have any interest in, because you'll see a lot in there, in those very small short like, two paragraph announcement deals.

Matt: Yeah.

Lauren: Deal announcements.

Matt: So –

Lauren: Sorry.

[10:40] - The Myth of the Self-Publishing Stigma

Matt: Yeah, I think we should just keep talking about this first –

Lauren: Yes. Absolutely.

Matt: This first myth of this idea that, you know, if you self-publish, if you indie publish, that a traditional publisher is not going to want to touch you. And I think that you've already touched on a lot of the things that are happening right now that that really disprove that, to a degree, right? So if you're doing all the things that we've talked about, we continue to talk about, that you're going to see everywhere else. You know, building your own brand, building up your social media following, trying to build an email list where you have a, almost an owned audience, if it were. Like, these are the things that are attracting traditional publishers right now.

Matt: They almost look at your brand first and your content second.

Lauren: Yes.

Matt: You know? So. And I think you'll talk about this a little bit later, but even now we can touch on this. That, you know, nobody's going to come knock on your door because you've got a book that you're going to market with, whether it's your first book, your third book. They're going to come knocking on your door because somehow or another you got their attention through your marketing efforts, through your audience, something like that. And they will come knocking on your door now. It's no longer only a game where you have to get an agent and you have to submit to whatever imprints and publishing houses you'd like to work with. They are being more proactive, right?

Lauren: Oh, yeah. That's actually – if that's, if you don't already know that, that is a key part of this episode topic is that, yes, more and more lately publishers are reaching out to authors and not the other way – or not just the other way around. Publishers are actively going out there and saying, we need to fill this blank in our like, title list. Or we need an author that's going to serve this role. We need to find somebody who's going to speak to this market. And they will go out and find people to fill that gap. And the place that they're finding those people is in these self-published and indie published authors.

Matt: The reason why I brought that up though, too though, is just to make the point that there's a – it's a double edged sword. There's two sides of that coin, I should say, not a double edged sword. So the same way that you can get noticed, if you're not doing all those things you won't get noticed. And if you're not doing all those things consistently to the best of your ability, that's, that's going to get you either not noticed at all or noticed in the wrong way. So understanding that if you're not doing things that demonstrate your brand has longevity, things like that, that's that's not going to go well for you. So if you are interested in landing a traditional book deal and, and you're doing all the things. We're going to talk about some of the things that are important as it relates to staying consistent, making sure that you're establishing some longevity and really paying attention to building your brand, and not just focusing on titles or serials.

Matt: Right?

Lauren: There was... there was an article in Jane Friedman's February 18th newsletter – the article’ll probably be behind a paywall, so I don't think I'll be able to link it in the show notes. But if I can, I will. But she, she interviewed several agents about this, and one of them said, “an author who does a ton of online marketing is more likely to receive enthusiastic interest from multiple publishers.” And, you know, you don't have to take –

Matt: That's a very strong statement, by the way.

Lauren: That is a very strong statement.

Matt: Because when's the last time we really heard something like that publicly, sort of, talked about?

Lauren: Right.

Matt: It's only been recently.

Lauren: Right.

Matt: Yeah.

Lauren: Unless you're listening to us, in which case we say it all the time.

Matt: Yeah, but –

Lauren: But if you're not –

Matt: We don't carry the same weight –

Lauren: Right.

Matt: – as a, you know.

Lauren: That's like, like you don't have to take our word for it. These are, these are other people in the industry that are saying it, and these are people who are working directly with authors and publishers.

Matt: Yeah, I think that's important.

[14:28] - The Myth of Untouchable Books

Lauren: Yeah. There's also the myth of... if I publish a specific book, traditional publishers won't have any interest in that. You know, if they want to republish that title, they're not going to have any interest if I've already self-published it.

Matt: Right.

Lauren: We've absolutely seen plenty of cases where that's not true. It happens all the time, where if it's a book that has like, a really strong sales momentum and the possibility to very obviously kind of repackage that, or reposition that.

Matt: Yeah.

Lauren: Traditional publishers are absolutely interested in that. And that could be something like if you have a bestselling title that you've only published as an ebook, but you haven't published it in print yet. Or even audio, and they want to secure those rights.

Matt: Yeah. Which by the way, if you're going to go out there and proactively pitch a title you wrote that is out there in the market already, that's the perfect scenario.

Lauren: Yes.

Matt: If it's out there as an ebook and it's actually doing really well, that's your best hope of pitching a previously published title to a traditional publisher, by dangling those print rights in front of them, and possibly the audiobook rights or something else.

Lauren: I’m pulling out my notes again.

Matt: Okay, I saw that.

Lauren: The Apple TV show Silo is based on a book called Wool by Hugh Howey, which was self-published on KDP in 2011. And in 2013 – so clearly this has been going on in some cases for some time.

Matt: Yeah.

Lauren: We're not saying this is a brand new deal. In 2013, he signed a print only deal. And he was offered like, seven figure contracts for complete rights, including his ebooks. And according to an interview that he did with the Wall Street Journal back in the day, he, turned down any offer that would include his digital rights, because he was already earning more than seven figures from his ebook royalties.

Matt: He has a history of that. That's – that's his, that's his background. So that might be a special case or outlier, but it's still a fun thing to point to.

Lauren: But – Yes.

Matt: Yeah.

Lauren: Yeah. It is clearly done. It has been done.

Matt: We also have, you know. So. This idea that you've already published a book, it's no good now to a traditional publisher, is just, is just – like you said. So the other big, big, big one that happened that really kind of helped bust open the floodgates was 50 Shades of Grey.

Lauren: Yup.

Matt: And what a lot of people don't know is that book was originally run through Lulu.

Lauren: Yep.

Matt: Or that series, actually. And it wasn't until those books – that one, specifically, and the subsequent ones – started getting attention. And then I think there was a publicity effort put in place where I think EL James appeared on a, I don't know, Good Morning America or something like that. That's when a traditional publisher approached and said hey, shut down all your, your indie, you know, outlets for this. Let's repackage this. We want to pick it up. We'll buy it from you, you know? So again, those titles had already been in the market. They had actually been run through Lulu. They were going through traditional indie publishing channels and distribution channels, and that did not stop a traditional publisher from coming along and picking those up, repackaging them, putting them back out into the market.

Lauren: There is one very, very key thing that you mentioned in there that is really important –

Matt: What’s that?

Lauren: – to include in this. And that was the word series.

Matt: Oh yeah.

Lauren: There are definitely examples of this happening with one off titles, but predominantly when you see this happening with major books that are getting scooped up, either completely traditional deals or hybrid deals, they are part of a series. And it is usually the case where some but not all of the series is out yet, and they're seeing like really good success –

Matt: Yeah, momentum.

Lauren: – with the first few titles in it. And then a traditional publisher will come in and say, hey, we want to publish the remaining titles.

Matt: Yeah.

Lauren: And we will also repackage and republish the ones that are already out, in the meantime, while we're waiting for that next big release.

Matt: Yeah, yeah. But again, it's all about momentum. It's all about the brand you're building around yourself as an author. It's not – and we've said this a thousand times, if we've said it once, it's not about one title.

Lauren: Right.

Matt: Don't, don't get so wrapped up in one title, or even one series. Don't devote all of your efforts to, you know, framing yourself as the writer of this title. Build your author brand, build your, your audience base. Do, do everything you can to own as much of that content, those email addresses, everything that you can do. Because that's just going to better position yourselves in front of a publisher, if that's, if that's what you're hoping to do.

[19:15] - Why Secure a Trad Pub Deal

Lauren: You might still be asking the question of why you'd actually want to.

Matt: Yes.

Lauren: Especially in the cases of, like that Hugh Howey deal.

Matt: Or even Brandon Sanderson.

Lauren: Or, or Brandon Sanderson. There are, because there are so many examples of this with hybrid published authors that have done a little bit of both. If you are having this great success, if Hugh Howey was having such great success with his ebooks that he was making – do you know how hard it is to make seven figures in royalties on ebooks alone?

Matt: Well, especially back. then.

Lauren: That, I mean –

Matt: If you were selling it for more than $0.99 you weren't selling it.

Lauren: Right.

Matt: Yeah.

Lauren: Right. Like that. I can't imagine what his sales numbers must look like. That's insane. But why then why would you want to? Why would you have any motivation to be like, sure, I'm going to sign a traditional publishing deal, when you're clearly doing just fine on your own.

Matt: Yeah. Why would you want to?

Lauren: I mean, first and foremost, call it what it is. A lot of authors just really want that. You know, if that's something that you dreamed of, if that was part of your, like, dream writer journey, that's okay. It is totally okay to say, yeah, I'm having great success, but one of my landmarks of real success in my own head would be to sign with a big five publisher, and if that is genuinely the only reason that you want to do this... do it. Do it. That's totally valid. There are also plenty of strategic and like –

Matt: Yeah.

Lauren: – logistical reasons that too.

Matt: And to be fair again, so the examples we threw out there of people turning that down, the one with Hugh Howey, back then there wasn't the, the advantages and leverage you have as an indie author now.

Lauren: Right.

Matt: Meaning now we have these advantages where you bring the audience, you bring the brand, and you have more leverage to negotiate more favorable contracts. Back then you didn't. It was either give them all your rights or you don't get a contract.

Lauren: Right.

Matt: Period. So I think that, you know, in the instance of Hugh Howey it was a little easier for him to be like, no, I'm good. These days I think it would be a little bit harder. But I think that now, like we talked about at the beginning, it's just different. You have more leverage, you have more momentum built up where, you know, you don't have to just take whatever contract they put in front of you. So even if your goal is to be able to say, I'm a traditionally published author, or I landed a traditional publishing deal for at least one of my books or one of my series, you have much more power today to do that in a way that's comfortable for you, but also financially viable, that makes sense. So yeah, I think that if that is your goal, great. More power to you. Like why not?

Lauren: There are still ultimately some things that traditional publishing will give you access to that, that self-publishing never will. In terms of opportunities –

Matt: Like?

Lauren: – for authors. Like, I mean, you're going to have an in-house team that you've never had access to before on your own, like you're absolutely –

Matt: To do what?

Lauren: Marketing –

Matt: To tell you no, we're not going to publish this cover? No, we’re not gonna –

Lauren: Sure. But also maybe, maybe you're tired of having to deal with doing the cover design on your own.

Matt: That’s fair.

Lauren: And this is an opportunity to get a professional in-house team to do it for you. Or maybe you want you're interested in expanding with foreign rights, but you don't really know where to get started with that. And you didn't want to listen to the episode that we did on international rights, which you should. It'll be in the show notes.

Matt: DropCap.

Lauren: But if you wanted somebody else to kind of manage that for you, this is an opportunity for you to have a team of people that are helping you with your brand expansion, or with getting you in front of new audiences or licensing your, your foreign rights or your media rights and handling all that for you. Even things like depending on how much you were doing alone on your own right now, the formatting or the editing, all those things that you might be outsourcing to freelancers to do.

Matt: Yeah.

Lauren: Will be in-house, which, you know.

Matt: Yeah, I mean.

Lauren: We've talked I mean, pros and cons of –

Matt: It’s a trade off.

Lauren: Yes.

Matt: They'll take it over but you lose control of it.

Lauren: Yes. So you know, but if it's something that you're looking on scaling, if you're looking on, on like, new ways to expand and grow and you've kind of maxed out on what you are capable of doing right now, traditional publishers can expand –

Matt: I think that’s the biggest benefit.

Lauren: – a little further than that for you.

Matt: Honestly.

Lauren: Yes.

Matt: The others are benefits depend on who you talk to.

Lauren: Yeah.

Matt: But in my opinion, those are just all disadvantages. I think the biggest advantage that comes with being traditionally published is the brand expansion component. So what effort they will pump in to expanding your brand, i.e. getting your titles out there in the world? That's the, that's the huge benefit. So their distribution network, their ability to, to all of a sudden have your book on a bookshelf potentially, in a bookstore somewhere in, let's say, the UK or something like that, you know, outside of the US or where you live or where you're currently at. Or vice versa, if you're in the UK and you're trying to break into – I think that's the biggest benefit. Because they have such, you know, established distribution footprints around the world. Everything else, in my opinion, is a disadvantage. It's all stuff you could do better and cheaper. But, you know, there's no denying that what they do afford you, what they do bring to the table after you know, many of them being in business for 100 years or more, is that global expansion effort in terms of physical proximity in a bookstore or at a book signing or, you know, whatever that might be. So.

Lauren: Yeah.

Matt: But that's my opinion.

Lauren: No that's fair. That's fair. I mean, we've, we've debated the pros and cons of all that stuff before, so.

Matt: Yeah.

Lauren: I'm not going to, I'm not going to disagree with any of that.

Matt: Yeah. For me, if I was going to consider a traditional deal, which I would, that's the only reason.

Lauren: Yeah?

Matt: That's it.

[25:20] - Understanding Publishing Deals and Author Brands

Lauren: I think it's also very key to understand that you partnering with or signing a traditional publishing deal or whatever, working with a traditional publisher, you are not just offloading all of the work onto them.

Matt: Oh yeah.

Lauren: Whether you view that as a, as a pro or con, you are absolutely expected – A traditionally published author is absolutely expected to do marketing work, publicity work to, you know, reach out to their own audience, sometimes even to, you know, have their own strategy for how they're going to do launch and stuff like that.

Matt: One hundred percent.

Lauren: This is not – you are not completely hands off. So that expectation is always going to be there.

Matt: I've heard lots of stories where they ask you.

Lauren: Yes.

Matt: Like even if you're submitting through an agent, you better also be submitting a marketing plan or a sales plan.

Lauren: Yeah.

Matt: I mean, that's just more commonplace, like 100%.

Lauren: Which is a thing that they're going to do even if you are not, even if you have never self-published, if you are a debut author that is trying to secure a traditional publishing deal, you have, you have no background in any kind of publishing. They are absolutely going to be looking at details like do you have an existing audience? If you are not, like not an existing audience of readers, are you at least somebody who has a social media following of some kind? Or do you have a newsletter that you are regularly email emailing people, even if it's not related to the topic of your book? Like you have an opportunity to reach out to people that are already fans of you. That is absolutely something. They are not just looking at the content and quality of your book, they are looking at your ability to sell that book to people.

Matt: Yeah. I think they're also looking for... While I'll never agree that a traditional publisher wants to take an author and build a brand around that author. As we've already touched on, there are benefits to the publisher participating in brand building with the author. It's why it's so important that they sign authors and they curate authors and brands that A., like you said, it already exists, but in many cases, B., align with who they are as a publishing company or that particular imprint or whatever that might be. So, you know, I think that's why you see so many niche imprints these days, too. Is to make sure that from beginning to end, there's alignment on the content, the audiences. When you have a large publisher, let's say Penguin Random House, it doesn't behoove them to just take in all these different types of content and then try to publish those out into the world under that, you know that brand of Penguin Random House, you want to have these smaller imprints where the entire staff of that imprint, that's all they focus on is that genre or that subgenre. They live and breathe that. They understand the market economics for that particular genre, and they're going to make sure that they get the best return on every title that they acquire and then put into the market. So, you know, I think having an established brand is super important, but also knowing and being aware of the imprints that exist related to the genres and subgenres that you write in is really important, because if you do choose to go at this proactively, those are where you're going to start with. Those are going to be the ones that if they're going to look at you, it's going to be the ones that line up with your genre. You can't just go straight to the front door of Simon & Schuster or Penguin Random House, because they're not going to open the door.

Lauren: Right.

Matt: So.

Lauren: Right. I think that is something – And I fully recognize that this is coming from somebody who is, is neck deep in the book industry in so many different ways. So I know this is not the average reader experience, but in the same way that we've talked about how we have like, instant-buy authors, like it doesn't matter what or –

Matt: Yeah.

Lauren: – or musicians even like a band is putting out a record. I'm ordering the record before I've ever heard it.

Matt: Right.

Lauren: You know, that's fine. And I'm going to come back to that too, because that's also part of the brand building thing. I have realized in the last few years that there are imprints that like, I realized that a lot of books I read fall into the same few imprints, like publishing imprints. So when I'm at a bookstore and I'm browsing the bookshelves and I see an imprint that I recognize as one that I read from often, and I don't recognize the title or the author, seeing that imprint name on the spine will be enough for me to at least take the book off the shelf and read the back cover.

Matt: Because you trust their editorial team.

Lauren: Yes, because I'm like, oh, I normally really like stuff from this imprint. Like they have a brand. I'm usually interested in what they're sending out into the world. So let me see what this is and see if this sounds like something... So that is – and they're doing that on purpose. Even if you don't realize it, even if you don't recognize it as a reader, that is something that is strategic on their end. But also, to go back to the idea of the instant-buy author, that's what we're talking about when we're talking about building a brand for yourself. The authors that are on your instant buy list are on there because you know that you're going to get the... not the same thing, necessarily, but you know –

Matt: Consistency.

Lauren: You know what you're going to get from them.

Matt: Yeah.

Lauren: Whether it's consistency in terms of quality of writing, consistency in terms of you know what like, what tropes are going to be in the book or what, like what to expect from – you know it’s always going to be a happy ending or you know it's going to be a mystery that's going to have some kind of like, unexpected plot twist. And even if you're looking for it, you're not going it – you're never going to figure it out because they're really good at burying the lead on that. Whatever it is, that is their brand. They've built their brand. They have sold you on the idea that this is what you can expect from their content.

Matt: Every author develops a formula.

Lauren: Yes.

Matt: Just like most movie and TV writers and directors and producers do. So yeah, you're just, you're – that's what you fall into.

Lauren: Right.

Matt: It's the same for me.

Lauren: Right.

Matt: It's the same for you, and everybody else.

Lauren: And that's what, that's what publishers are looking for. And so are the readers.

Matt: Consistent, sustainable publishing history.

Lauren: Absolutely. This is actually – this is a really interesting point, I think. And I kind of buried this in here, that's on me. My bad.

Matt: That’s why I was pulling it out.

Lauren: I'm glad you did.

Matt: You just dumped a bunch of dirt on it, but.

Lauren: It's okay. Because not just are they, are like, you know when I'm saying like, long term brand, publishers are looking for something that they can say, oh, we can see five, six, seven, eight, ten titles coming out of this.

Matt: Yeah.

Lauren: You know? Like in romance, there are a lot of series where it's like, in – go with me on this. You'll see.

Matt: Okay.

Lauren: So like.

Matt: I mean, I don’t have a choice.

Lauren: The first – they're all standalone, technically –

Matt: I’m a captive audience.

Lauren: You are. You really are. But like, the first book that comes out, there's a best friend of the main character.

Matt: Okay.

Lauren: And the best friend is the main character of the second book. And then in the second book, the best friend has a younger sibling. And the younger sibling is the main character of the third book, and so on. And they build on each other in that way. That is something that has longevity. So that is something that, that publishers are looking for. But they're also looking for, beyond the content, the consistency with which you are publishing your books. They want to see that you are putting out books regularly, that it's not one in one year, and then three two years later –

Matt: Just random whenever you feel like it.

Lauren: – Right. Consistent publishing. They want to see that you are putting out books when promised. So if you have a bunch of examples of hey, I know I said I was going to publish this in March of 2026, but I'm not done with it yet, so I'm pushing that back to May of 2026. And you do that four times in a row. That's, that's not going to bode well for you. But they also – and I think this gets overlooked too – they don't want to see that you're over-saturating the market either.

Matt: Yeah.

Lauren: Putting out a book a month is not always a good thing. Because if your readers are used to that, the traditional publishing industry can't keep up with that pace. So if your, if your readers are used to getting one book a month from you and then you sign a trad pub deal and now you're putting out one book a year, or even two books a year.

Matt: Right.

Lauren: There is a chance that your sales are going to drop off because of that, and that that's not actually going to be a benefit.

Matt: Well, mathematically, your sales will drop off.

Lauren: Well, that too.

Matt: But from a market popularity standpoint –

Lauren: Yes.

Matt: – that's where I think you get hit the worst.

Lauren: Yeah.

Matt: Because if your fans do have to go from, you know, getting their hands on your content once a month, essentially once every other month, to now having to wait six months every time for a new – Yeah, they're going to, they're going to get distracted by other authors and other things. And you know, before you know it, you're way down on their list of favorite authors because they found new ones that are sort of satiating that appetite.

Lauren: Yeah. You want you want there to be some demand for, oh, I haven't gotten a new book from this author in a while. I'm excited to get my hands on it soon it comes out. As soon as it comes out. I skipped like three words in that sentence.

Matt: You're just talking so fast you get ahead of yourself.

Lauren: Eh, that's what happens.

Matt: That's what happens when you talk about traditional publishing deals?

Lauren: Yeah. This is funny because this is an episode topic that Matt pitched, but it's right up my alley, so thanks. This is a nice gift for a Monday afternoon.

Matt: I don't know. Yeah, sometimes I don't even know what I'm talking about.

Lauren: That's okay.

Matt: When I pitch stuff to you. Or maybe I should think more about it before I pitch stuff to you.

Lauren: No, I think you should – I think you should just let me loose on a topic and see what happens.

[35:27] - What You Need to Know

Matt: I know that some people are going to be sitting there wondering, okay, great, all this is going on. I kind of knew this, but thank you for validating it, whatever, whatever. Should I get an agent? Do I need to get an agent? I'm not even sure how to answer that because we see it going kind of both ways. But I think kind of the point of why I pitched this and what I liked about, you know, this topic in this narrative was the fact that so many people were achieving traditional deals without an agent and negotiating their own rights. And I really liked that. Because I hate to share my money with somebody if I don't have to. I'm not belittling what agents do by any means, but you know, they aren't necessarily free and clear of blame when it comes to the stigma that was placed on traditional – or, indie published authors for all these years. I mean, a lot of that started with the agents, not just the traditional publishing companies themselves.

Lauren: Yeah.

Matt: Because let's remember, most of what was making its way to the traditional publishing companies was coming via agents. That was and still, to a degree, is the only way to get, you know in many cases, your manuscript into the hands of somebody, whether it's on the editorial team or the sales team or the marketing team, at a traditional publishing house. So if I'm listening to this... what to do?

Lauren: More and more with this specific topic, it is kind of becoming up to the individual author. There are a lot of self-published authors or hybrid authors that are working with agents in some way already. And if that's the case, if you do happen to be working with an agent at the time that a traditional publisher is trying to secure a deal with you, they will work with your agent and not you. So if a traditional publisher reaches out to you, if you already have an agent, they will, they will negotiate with that agent and not with you. But if you, if you don't have one and they reach out to you, they will negotiate directly with you. If it's the other way around, where you are still, like you are self-publishing still but you are starting to shop around to traditional publishers, I think you do need to have an agent still to do that. Because most traditional publishers these days are not accepting un-agented submissions, even if you are somebody with a proven track record. Unless they reach out to you first and ask you.

Matt: Yeah. So it sounds like, again, if you're trying to be proactive and landing a traditional publishing deal, that an agent is probably still the best way to go about it. But if you are hoping to attract a traditional publishing deal to what you're doing, i.e. building your own audience and doing all these things, then it's not necessarily something you have to have.

Lauren: Right. I mean, I think it's something that in the same way that you can represent yourself in court if you really want to, but you may not want to...

Matt: I don’t know if I’d use that because I don't know if that's ever a good idea, even for a traffic ticket.

Lauren: Worst case scenario, an agent can always be there to just make sure that your contract is legitimate and that you are not missing or overlooking something. So it's never a bad idea to have an expert be involved in some way or another. It doesn't mean that it's necessary. But you know, if you want a second opinion, if you're trying to understand better, like, how do I get somebody else to help me with this negotiation? An agent is, is your solution to that.

Matt: So we talked about, you know, some of the things that attract traditional publishers, like – and we keep using this word brand and audience. But I'm a data person. Is there anything else that I might be able to like... You know, if I'm selling direct I have sales data. Obviously I’ll have my data if I'm selling, you know, through KDP or distribution, Ingram, or whatever. Like, is that stuff that they're going to want to see? I mean, I guess to a degree, they can already see that if there's ISBNs attached to my work. But is there other stuff or can I really just, you know, rest easy on the fact that I've got 20,000 followers on my Instagram and, you know, 15,000 on Facebook or whatever? And, you know, I've got a pretty decent track record of ebook sales going – like, is that enough?

Lauren: I think that absolutely, both of those – sales data and direct audience data – is very, very relevant and a very key selling point to attracting traditional publishers, or proving your longevity and value add to traditional publishers. Sales data can be great, not just for saying like, I've sold 20,000 books of all, like cumulatively over time. Because that doesn't necessarily prove anything, because it could have been 19,000 book sales from one viral hit that you had ten years ago, and you haven't come anywhere close to that ever since.

Matt: That's a good point, yeah.

Lauren: And they have ways of looking that up. Unless you are exclusively selling direct and there is no like, sales data anywhere online that they can find, they have ways of checking that. But if you can say I've sold 20,000 books cumulatively over time and you can track consistently the steady sales that you have and the steady growth in sales over time, that's proving that you are consistently growing, that you are going to continue to grow from here, that your brand is expanding, that you're like maintaining and generating new interest from audiences. If you have the ability – and this you may or may not have, reason to sell direct – if you have the ability to prove repeat purchases. That's fantastic. If you're able to say look at all these people, maybe it's that you have some kind of subscription –

Matt: Right.

Lauren: – set up, or maybe you have a Patreon that is proving demand from like, these people get early access to my titles, or these are all the, these are all the people that signed up to be potential beta readers. Like, you know, I asked for five beta readers and I had a hundred offers from random readers.

Matt: Yeah.

Lauren: Like that's, that's proving demand, that's proving that these people are already fans of yours. So repeat purchases are a great thing to prove. And then the, the direct audience and the direct sales having, having that kind of customer data is really powerful because of the reasons that we've talked about for why you want to be selling direct. Instagram followers are great. Having, having Instagram followers, that's great. You cannot guarantee that if you post on Instagram to those followers that they're all going to see it.

Matt: Oh, a hundred percent.

Lauren: But you can –

Matt: They won't.

Lauren: I mean, they definitely won't. We know they won't. But you can pull up: here's the number of people that I have on my newsletter list, here are my open rates that prove that I have a lot of dedicated readers that read it regularly, which means that when I send out an email to this newsletter and say, hey, I have a new title coming out and surprise, it's traditionally published with this publisher, and they're going to do this whole big pre-order thing with a special edition packaging or whatever… You can very heavily imply that X number of people –

Matt: Yeah.

Lauren: – of your dedicated audience are going to see that.

Matt: You can actually do that with your social media stuff, too, if you're tracking it properly. So if you're running any sort of Google Analytics or tag management, anything that you're able to show, like, you know, whenever I put something up for sale on my store or my direct store, you know, 36% of the purchases –

Lauren: Sure.

Matt: – are coming from social media traffic.

Lauren: Yeah.

Matt: So you, you can piece together a story, a narrative of your sales and where those come from. And that does give somebody else, like a traditional publisher, a general idea of what to potentially expect when they help magnify and amplify that audience by, by degrees. So yeah, I think that, like I said earlier, I'm a data person. And the idea that, you know, I could take my direct sales data and some of these other things and potentially leverage that as well as my audience size, the maturity of some of my catalog, or whatever that might be, all as a nice little package offering. I think that's really smart. I think that people should know that they have that stuff, too. So.

Lauren: I think it's just regardless of what kind of data specifically it is, just know that it has to be like relevant, provable data. I've seen, I've seen this on more than one occasion, where I've seen authors that in their, like, here's how I'm proving reader interest or whatever, they've included fanfiction stats in there. And that's always really funny to me, because that doesn't mean anything. Because like, fanfiction stats, first of all, while there are definitely fanfiction authors that have dedicated followers, like dedicated readers, there are also plenty of people that are reading fanfiction that are not looking at who wrote it and are just looking at the title, or looking at the ship –

Matt: I see.

Lauren: – or looking at the, the tags.

Matt: It's all about the topic. It has nothing to do with who actually wrote it –

Lauren: Right.

Matt: – in many cases. I gotchu.

Lauren: And you're also... most of the, most of the major fanfiction platforms these days do not allow you to to put in the, like author's notes on fics like, hey, if you like this, I have a real book, you should go read it here. You can do things like link to your social media, and then on your social media say that you have a real book and not just fanfiction, but... Now there have been – this is a whole other episode – but there have been some massive, massive titles released in the last year that have been very overtly, blatantly fanfiction turned into traditionally published books. And those are obviously the exceptions. But when I see authors doing things like saying 10,000 people have liked my like, fandom famous fic or whatever, I'm like, that's cool. That's a cool stat. That means you're probably a good writer. That doesn't mean those 10,000 people are going to buy a copy of your book. So it's kind of a vanity metric and not a real piece of data. So when you're, when you're considering what kind of sales or engagement data to include –

Matt: Yeah.

Lauren:  – it has to be something that actually proves that you're getting a return or repeatable interest from fans.

Matt: It needs to be something that shows that they're interested in your brand.

Lauren: Yes.

Matt: Yeah, that makes sense.

Lauren: Wow, you didn't – I – not even a little bit of pushback on that. I just, you know, I kind of – Would we call that growth?

Matt: No... whenever you start talking about fanfiction, I just kind of go into like self-preservation mode.

Lauren: That's fair.

Matt: It's okay. And then I pop out when you're done.

Lauren: Perfect.

Matt: Like I'm going to do right now.

Lauren: Nailed it.

Matt: And actually wrap this episode up, because –

Lauren: Let's do it.

Matt: I don't want to end it on a fanfiction note. 

[46:43] - Episode Recap

Matt: So, at the start of the episode, we talked about why we were talking about this topic. I mean, I think it's great that indie authors are getting traditional deals. That's great. What I think is actually the, the really cool part, is that they're, they're able to negotiate, better than they ever have, and retain rights to a lot of things. So there's a lot of print only traditional deals happening right now. There's a lot of deals where it's not print only, it's actually just ebook only or, you know, whatever that might be. But the point is, you have leverage and you can use that to get a more flexible contract and something that works better for you. Because I would never be in favor – never have been, never will be in favor – of signing a contract where you give away all your rights. I just, I think that's a terrible model on both sides of the fence. And so seeing that flexibility happening right now play out in real time, in ways that it never has before, I think is really cool. So I still maintain my stance. I would want to just keep all my rights and sell direct and do whatever. Just the idea that the, the mere flexibility and freedom exists, I think is super cool. So real quickly, the things we talked about. If you are interested in having a traditional publisher look at your brand, what were the things we talked about that they should be doing?

Lauren: Well, I mean, first and foremost, like we were just talking about, you should be selling direct if you're not already, so that you have that customer and audience building opportunity. But even if you're not, if you do not already have an email newsletter, you need to start one yesterday. You need to start having that opportunity where you have that provable I can remarket to this audience, and I can build up a loyal fan base, and I can prove that.

Matt: Yeah, doing everything you can to build direct connections with your audience.

Lauren: Yes.

Matt: Yeah.

Lauren: Maybe it's a community, maybe you have a Patreon or a Circle community or whatever it is, something that you can prove –

Matt: Yeah.

Lauren: – there are people that are interested enough in you that they are not one off, one time buyers, but are actually invested in you and your brand.

Matt: Develop a clear brand.

Lauren: Yes.

Matt: While we're talking about your brand.

Lauren: Yup.

Matt: Like, somebody shouldn't hit your page or your social media and have to wonder, like who – who is this person? What is their brand? Like, are they nonfiction, you know, writing about copyright law, or are they actually sci-fi fantasy writers? Like, your brand should be very clear on who you are, what you do, and who your intended audiences are.

Lauren: Yes.

Matt: The last thing some traditional publishing house wants to do is have to figure out, like, oh, they got 10,000 followers, but, you know, are they 10,000 sci-fi followers? Are they 10,000 nonfiction? Like, what's going on here?

Lauren: Which is something that... I mean, we're not saying that you can never branch out, that you’re –

Matt: That’s right.

Lauren: – once you're in your lane, you're in that lane forever. No. Definitely no one's saying that. But if you've ever looked at an author and been like, this author is publishing under three different pseudonyms, why do they have three different names? Why are they not just publishing it all under one name? I'd be willing to bet that those three different pseudonyms are in three different genres, and that's why they're doing that is so that they can, like, clearly silo: people that are fans of this brand are following this author name, and people that are fans of this brand are following this author name.

Matt: Although again, yes, it's always about freedom and flexibility. But I would argue if your goal is to get picked up by traditional publisher, stick with one lane.

Lauren: Yes.

Matt: If you want to, you know, as an outlier write this one off nonfiction book about whatever it is, because maybe that's your day job or whatever. Fine. But don't make that the central, you know, component of what people see when they come to your website or your social media channels or whatever. Like, stick with the lane.

Lauren: It's easier to branch out later once you already –

Matt: A hundred percent.

Lauren: – have your lane and your brand established.

Matt: That’s right.

Lauren: It's easier to say, hey, go with me on this one. I'm trying something new and I've proven to you guys already that you know and love me, so just go with me on this.

Matt: Yeah.

Lauren: It's a lot easier to do that later than it is to do that when you're still building.

Matt: Part of building a brand is also what will attract traditional publishers, which is publishing consistently.

Lauren: Yes.

Matt: Which doesn't mean...

Lauren: Over-saturating.

Matt: Saturating the market.

Lauren: Yes.

Matt: Right? Like once every three weeks or launching, you know, another book in a series that has twenty-seven books in it or whatever that might be. But being consistent, if you say something's going to drop on this date, make sure it drops on that date.

Lauren: Right.

Matt: Like, you shouldn't be pushing deadlines and launches on a regular basis, that should be a last resort.

Lauren: I mean, realistically, what it all kind of boils down to is that you need to be thinking like you are an entrepreneur. An authorpreneur if, if you must. A small business owner, a brand owner, a content creator, a content entrepreneur, whatever term or phrase you want to use. You need to be approaching this like it is a business or a brand. Not like you are just writing books based on vibes and putting them out there when you feel like it and hoping for the best.

Matt: Yeah.

Lauren: This is a business model. You are building a brand and you have to treat it that way.

Matt: Well, and unless you're sixteen, you shouldn't be doing anything just based on vibes.

Lauren: I think it's – I think it's healthy to sometimes go off of vibes. But not – that’s a short term –

Matt: Most people are a bad judge of vibes anyways.

Lauren: Well.

Matt: Like just, just think like a business, act like a business. If your goal is to, you know, just – Yeah.

Lauren: If you want to have a good day, have a vibes based day.

Matt: Sure.

Lauren: If you want to build a good career –

Matt: Yeah.

Lauren: – you need a plan.

Matt: Agreed.

Lauren: You can't just go on vibes.

Matt: If you're lucky enough to get, you know, singled out and approached, try to maintain as much of your rights as possible while being, you know, fair at the negotiation table and understand that you're going to have to give it something, or they're just not going to want to talk to you. So knowing what that is ahead of time is really helpful, too. If your goal is to get, you know, a traditional publishing contract, you should, you should make certain that you already know what you're going to the table with.

Lauren: Yes.

Matt: What you're going to try and negotiate. And if that means you're willing to give up print rights and that's it, then you need to know that going in and you need to be pretty firm with that. Or at least, you know, make that clear at the beginning and they may come back with something that's amenable to you. But, you need to know that going into – don't go into a contract negotiation without any clear cut ideas of exactly what it is you want to maintain control of versus what you're willing to give up. If you don't have that clarity around that, you're going to find yourself walking away, probably, with the short end of the stick on that one.

Lauren: And also make sure that your existing rights before you go into that negotiation are not tangled up in something. So if you've already optioned your audiobook rights or something and somebody else currently has access to those rights, you need to be upfront with that with the publisher before you go in there, because that might be a deal-breaker.

Matt: Or even foreign rights, yeah.

Lauren: Or foreign rights or even ebook rights. You know, we've talked about how KDP, if you're publishing on Kindle Unlimited, they have exclusive ebook rights for as long as your book is available on Unlimited. That's, that's part of what you're doing with that.

Matt: Yeah.

Lauren: So you know, that needs to be a factor that you're considering when you're negotiating these things, is you have to know who has control over your rights and then what control you're willing to license or, or give up on your rights.

Matt: Yup.

[54:31] - Episode Wrap Up

Lauren: So, yeah, that's... That's that on indie publishing and book deals. I don't know.

Matt: Wow.

Lauren: Happy Monday.

Matt: Yeah. Threw me off of that one.

Lauren: Threw myself off with that one.

Matt: You’re just like – yeah that's, that's that.

Lauren: Like – mmhmm.

Matt: I think it's cool. Again, not necessarily my cup of tea, but I just. I think that's cool. And, you know, anytime you can break norm, anytime you can affect, you know, some mundane, archaic practice that's been in place for hundreds of years? Do it. And this is just another example of that. And whether you want to chalk that up to they're just a business and they're following the dollars, who cares? There's evolution happening. And it's benefiting indie publishing and actual creators. And I think that's great.

Lauren: Yes.

Matt: What do your bracelets say today?

Lauren: Oh, you're gonna like them actually. Haunted, Foolish Mortal, and Take the Stairs.

Matt: I do like all of those. There's a theme, I like it.

Lauren: Yeah.

Matt: Okay.

Lauren: Yeah.

Matt: Alright.

Lauren: Yeah.

Matt: Anything else you want to say before we shut this down, turn all of this off?

Lauren: I did say in the beginning that I hoped that anyone who was a little suspect about why we were talking, why we be, why we would be talking about this – man, I’m dropping words left and right today – would be convinced by the end of why it makes sense. And I hope that we succeeded in that. Because I do think this is something that's really valuable for a lot of authors to understand right now. Even if ultimately you're like, cool. I have no interest in any, like, traditional publishing deal. As always, it is important for you to understand what's going on in the industry around you.

Matt: Yeah.

Lauren: So that you understand how to better position yourself and your content and your books.

Matt: I'm very proud of you. You got this whole episode, you didn't mention Heated Rivalry once.

Lauren: It's in the outline.

Matt: On that note, please like and subscribe. Leave us a review. Unless you didn't like the episode, don't leave us a review. Do all the things. And then come back next week and listen to another episode.

Lauren: Oh, next week’s going to be a fun one.

Matt: There you go.

Lauren: Come back and tune in then. Till then, thanks for listening.

Matt: Later.

Plot Twist: Indie Authors are Landing More Traditional Publishing Deals than Ever

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U.S. District Court Issues Preliminary Injunction Against RFK, HHS For Its Vaccine Schedule Changes [Techdirt]

It was mere days ago that we were discussing an interesting lawsuit brought by the American Academy of Pediatrics, among others, challenging RFK Jr. and HHS for violating the Administrative Procedures Act in making changes to the CDC’s ACIP panel and immunization schedules. If you’re not up on what the APA is and does, the text of the law reads:

To the extent necessary to decision and when presented, the reviewing court shall decide all relevant questions of law, interpret constitutional and statutory provisions, and determine the meaning or applicability of the terms of an agency action. The reviewing court shall-

(1) compel agency action unlawfully withheld or unreasonably delayed; and

(2) hold unlawful and set aside agency action, findings, and conclusions found to be-

(A) arbitrary, capricious, an abuse of discretion, or otherwise not in accordance with law;

(B) contrary to constitutional right, power, privilege, or immunity;

(C) in excess of statutory jurisdiction, authority, or limitations, or short of statutory right;

(D) without observance of procedure required by law;

(E) unsupported by substantial evidence in a case subject to sections 556 and 557 of this title or otherwise reviewed on the record of an agency hearing provided by statute; or

(F) unwarranted by the facts to the extent that the facts are subject to trial de novo by the reviewing court.

In other words, the law outlines how actions brought by federal agencies must follow certain established procedures and be based in facts, as well as how upon challenge the courts could review and enforce those requirements on said agencies. Remarkably, in that same case, the DOJ argued to the court that Kennedy’s actions were “unreviewable”. At one point, Judge Murphy asked the DOJ if that meant that Kennedy could advise the public to get a shot to get measles, instead of preventing it, without review or challenge. The DOJ somehow answered that question in the affirmative.

It was all very stupid on the part of this particular government, but stupid appears to be the only thing on the menu these days. But it turns out that the actions of Kennedy and HHS are in fact reviewable, as evidenced by the preliminary injunction the court just issued blocking the recent changes to the vaccination schedule and put a stay on the 13 new members appointed to ACIP by Kennedy last summer.

U.S. District Court Judge Brian Murphy in Boston put a hold on the decisions made by an influential Centers for Disease Control and Prevention vaccine advisory committee, ruling that Health Secretary Robert F. Kennedy Jr. had improperly replaced the entire committee.

The ACIP, whose members Kennedy fired and replaced largely with new members who also criticized vaccines, had issued a series of contentious recommendations, including a recommendation that not all babies should get vaccinated against hepatitis B at birth. The judge’s ruling stays the appointment of 13 committee members appointed by Kennedy since June 2025, when the previous members were fired.

Several health NGOs, including the AAP, are celebrating the ruling, understandably. Before we pop any champagne bottles, though, the government has already said it plans to appeal the ruling. This is lining up like one of those classic whipsaw legal situations where one court will rule sanely, the next will rule in favor of executive power, and then it’ll go to the Supreme Court and we’ll all learn if that compromised group of black robes will just hand more destructive power over to Trump in ignoring a law it doesn’t like, in this case the APA.

But in the meantime, this is at least delaying some of the damage Kennedy has attempting to foist on the American people. ACIP was set to meet this very week to talk about how else to make us less safe from preventable diseases, but that meeting has now been postponed. In the ruling itself, Judge Murphy opens with a blistering recitation of how science and process are all supposed to work.

“Science,” like law, “is far from a perfect instrument of knowledge.” Carl Sagan, The Demon-Haunted World: Science as a Candle in the Dark 29 (1997). History is littered with once-universal truths that have since come under scrutiny. Nevertheless, science is still “the best we have.”

“Procedure is to law what scientific method is to science.” In re Gault, 387 U.S. 1, 21 (1967) (cleaned up). Although sometimes seemingly tedious, “the procedural rules which have been fashioned from the generality of due process are our best instruments for the distillation and evaluation of essential facts from the conflicting welter of data that life and our adversary methods present.”

For our public health, Congress and the Executive have built—over decades—an apparatus that marries the rigors of science with the execution and force of the United States government…Unfortunately, the Government has disregarded those methods and thereby undermined the integrity of its actions. First, the Government bypassed ACIP to change the immunization schedules, which is both a technical, procedural failure itself and a strong indication of something more fundamentally problematic: an abandonment of the technical knowledge and expertise embodied by that committee. Second, the Government removed all duly appointed members of ACIP and summarily replaced them without undertaking any of the rigorous screening that had been the hallmark of ACIP member selection for decades. Again, this procedural failure highlights the very reasons why procedures exist and raises a substantial likelihood that the newly appointed ACIP fails to comport with governing law.

Chef’s kiss; no notes.

This administration doesn’t care much for law or procedure, of course, hence the appeal of an obviously correct decision. Kennedy all the moreso, either because this is all some flavor of grift anyway, or he’s a true-believing zealot, or both. Either way, this isn’t over.

But finally someone has drawn first legal blood on Kennedy and the chaos he’s created at his post when it comes to vaccinations.

Kanji of the Day: 磁 [Kanji of the Day]

✍14

小6

magnet, porcelain

陶磁器   (とうじき)   —   porcelain
電磁   (でんじ)   —   electromagnetic
磁器   (じき)   —   porcelain (esp. hard-paste porcelain)
磁石   (じしゃく)   —   magnet
電磁波   (でんじは)   —   electromagnetic wave
磁気   (じき)   —   magnetism
磁場   (じじょう)   —   magnetic field
陶磁   (とうじ)   —   clay
磁気共鳴画像   (じききょうめいがぞう)   —   magnetic resonance imaging
磁力   (じりょく)   —   magnetism

Generated with kanjioftheday by Douglas Perkins.

Kanji of the Day: 喉 [Kanji of the Day]

✍12

中学

throat, voice

コウ

のど

耳鼻咽喉科   (じびいんこうか)   —   otorhinolaryngology
喉頭   (こうとう)   —   larynx
耳鼻咽喉   (じびいんこう)   —   ear, nose, and throat
喉元   (のどもと)   —   throat
喉の痛み   (のどのいたみ)   —   sore throat
咽喉   (いんこう)   —   throat
喉が渇く   (のどがかわく)   —   to be thirsty
喉頭蓋   (こうとうがい)   —   epiglottis
喉越し   (のどごし)   —   feeling of food or drink going down one's throat
喉仏   (のどぼとけ)   —   Adam's apple

Generated with kanjioftheday by Douglas Perkins.

12:00 PM

The Fight For The Rule Of Law | Maya May Welcomes Jay Kuo, "The Status Kuo" [The Status Kuo]

I had a great time speaking today with Maya May of Lincoln Square about the state of the rule of law in the U.S. It was a wide-ranging discussion! Here it is again in case you missed it live.

Thank you , , , , , and many others for tuning into my live video with !

Jay

Five Points on the “SAVE America Act” [The Status Kuo]

Photo courtesy of the Boston Globe

The Senate has now taken up the so-called SAVE Act, now renamed the “SAVE America Act.” This bill has been a top priority for the White House, so much so that Trump declared some 10 days ago that he might refuse to sign any other legislation until this bill passes and reaches his desk.

No more GOP-backed bills this congressional session? Don’t threaten us with a good time!

Even if the Act is highly unlikely to pass, it remains very dangerous so we need to give it our proper attention. Marc Elias of Democracy Docket described it as “the most sweeping voter suppression effort in history.” Sen. Chuck Schumer warned, “This is really one of the most pernicious pieces of legislation that I’ve ever seen,” adding “The SAVE Act would make it easier to buy an AR-15 than to register to vote.”

But we can, and should, take a deep breath and put the Act in perspective. Here are five things to keep in mind as the Senate wastes precious floor time this week and possibly beyond.

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1. Trump needs this because he’s going to lose the midterms

This bill really should be called the “SAVE Republicans” Act. It’s the latest in a series of shady maneuvers, from gerrymandering to federal threats on state election offices, that Trump has pushed to try to hang on to power and avoid accountability.

The midterms outlook looks so bad for the GOP, especially with gas prices rising quickly following a war of choice in Iran, that even Trump sees the ketchup on the wall. He’s sounding a bit desperate lately, much as he did just before the Epstein Files Transparency Act was set to pass both chambers of Congress regardless of his threats.

In an unhinged (meaning, normal for him) social media post yesterday morning before debate began, Trump declared in his signature ALL CAPS:

“I WILL NEVER (EVER!) ENDORSE ANYONE WHO VOTES AGAINST “SAVE AMERICA! ! !”

(I’m still chuckling over his addition of (EVER!). You know, in case we didn’t get what “NEVER” meant. Taylor Swift, eat your heart out. And N.B. the three exclamation points, separated by spaces for impact.)

Trump is pounding the table because he believes, mistakenly, that he can bully the GOP Senate into forcing this to pass. But even if they were all on board—and they are not—it wouldn’t work. And Senate Majority Leader John Thune (R-SD) doesn’t appear moved or scared enough to break the rules and norms over this bill just for Trump. More on that below.

2. This is voter suppression masquerading as voter security

The SAVE America Act polls well with the public because of the way it’s framed. Most people believe that you should have to show some kind of ID in order to register to vote. But that’s not really the issue, because most states already require it.

People often believe, for example, that you could simply use your driver’s license to register to vote. Nope. The proposed Act actually requires specific kinds of IDs to demonstrate proof of citizenship for voter registration. Standard state-issued driver’s licenses won’t do because, under the Act’s language, they are not considered proof of citizenship. After all, many non-citizens have driver’s licenses. In practice, only so-called “Enhanced Driver’s Licenses,” available in the five states of New York, Vermont, Minnesota, Michigan and Washington, would qualify.

The proof of citizenship requirement in the Act generally means showing a U.S. passport or a birth certificate at the time of voter registration. Many poorer Americans simply do not have these documents.

Further, voter registrants who have changed their names since birth, which is also the case for tens of millions of women voters who took their husband’s surnames, may need to present a third document, such as a marriage certificate, to support their proof of citizenship and identity. Men don’t generally have this additional hurdle.

A second issue is that the proposed Act would impose a requirement on states that voters provide some form of valid photo ID at the time of voting. Many students, for example, might believe their student IDs would suffice. But the Act expressly states that student IDs, even those issued by state universities, are not acceptable forms of photo ID for voting.

All of this makes clear that what the proposed Act imposes are paperwork hurdles designed to discourage millions of voters from even bothering to register or show up at the polls.

3. This is political kabuki theater

Before we panic that the Act will disenfranchise tens of millions of voters ahead of the midterms, understand that this bill is almost certainly not going to pass. To do so, it would need to get to 60 votes in the Senate, and the math isn’t mathing.

We already got a taste of that math. The initial vote to proceed to debate was 51 to 48, with Sen. Lisa Murkowski (R-AK) voting with the Dems. Another GOP senator, Tom Tillis of North Carolina, is actually a “no” vote when it comes to a motion to end debate, known as a cloture motion. And two other GOP senators, Mitch McConnell (R-KY) and John Curtis (R-UT), are likely “no” votes because of the proposed restrictions on mail-in voting in the bill. Indeed, McConnell has told his Republican colleagues privately that he doesn’t support the legislation.

That means the bill is far short of the 60 needed to overcome a filibuster. Importantly, Senate Majority Leader Thune signaled months ago, and has since stuck to his guns, that he won’t be calling for a change in the Senate rules and an end to the filibuster. To underscore that point, last week Thune told his GOP conference that they didn’t have the votes to force the Democrats to use a so-called “talking filibuster” to prevent cloture.

So what is the Senate actually doing this week, given that the votes aren’t there to pass it or change the filibuster rules?

4. This is about drawing national attention to the Act

It’s hard to escape the feeling that Thune is allowing debate on a doomed bill in order to please others in the Senate, who in turn are falling over themselves to please Trump. Thune even said that he intends to use the failure of Democrats to get on board the SAVE America Act as an issue in the midterms, all while refusing to do anything that would actually allow the Act to pass.

Expect Republicans this week (or longer) to deliver as many misleading talking points to their base as possible about the sanctity of our voting system. They will lie shamelessly about how many “illegals” fraudulently vote in our elections, even though this is basically a non-issue.

We’ve seen this “fraud” play before. After all, DOGE was ostensibly formed to root out “fraud” but instead gained access to our most sensitive and private information. The ICE surge in Minneapolis was justified by alleged child care fraud by the Somali community, but there was no actual evidence of widespread fraud at the time of the surge.

This effort by the GOP to hold an open and public debate on the Act could backfire badly. The more voters learn about the bill, including how it could end most no-excuse mail-in voting, the less they like it.

”We’re talking about 25% of the entire voting population being forced to pay what’s essentially a paperwork tax just to exercise a fundamental right to vote,” said Celina Stewart, CEO of the League of Women Voters.

That’s the kind of messaging voters really need to hear about the Act.

5. We can’t get complacent

Even if the GOP doesn’t currently have the votes in the Senate, we can never drop our guard. They could try to jam it into another must-pass funding bill. Or they could try to pass it via reconciliation, which only requires majority approval, by somehow tying the policy to funding for the states.

You can bet that, right now, Republican strategists are looking at alternative paths forward, even as they put on a shambolic performance around the bill this week.

But we should at least rest assured that Thune will eventually call for cloture, and the bill will die in its current form. This will happen after he’s allowed his colleagues to “touch the stove” on the issue, with all the pushback and unintended sound bites that could accompany their effort.

Indeed, allowing floor debate as Thune has could permit Democrats to introduce all manner of amendments, including revisiting the question of the War Powers Resolution, forcing the GOP once again into a defensive posture on Trump’s highly unpopular war.

Trump has demanded this debate proceed, and Thune has gone along with it. But if there’s no actual plan for how to win, in the end all they can do is beat a humiliating retreat.

And that sounds very familiar.

09:00 AM

Afroman’s Defamation Trial Is Going About As Well For The Deputies As Their Original Raid Did [Techdirt]

We’ve been following the saga of Afroman (real name Joseph Foreman) and the Adams County Sheriff’s Office for a few years now, and I’m delighted to report that the defamation trial is currently underway and it is delivering everything you could possibly hope for, starting with this absolutely astounding suit that he’s wearing in court and on the stand (as well as in recent videos):

For those who need a refresher: back in 2022, the Adams County Sheriff’s Office in Ohio conducted a raid on Afroman’s home with a warrant for drug trafficking and — hilariously — kidnapping. (Kidnapping. Afroman.) The search turned up a couple of joints, some legal hemp, and a vape pen. No arrests were made. No charges were filed. The warrant itself appeared to have been sloppily assembled from boilerplate, with the kidnapping allegation looking a whole lot like someone forgot to delete an irrelevant paragraph before submitting it to a judge.

What the deputies did manage to accomplish was breaking Afroman’s door and gate, apparently pocketing $400 in cash (later explained away as a “miscount”), and getting captured on Afroman’s home security cameras doing a series of things that made them look absolutely ridiculous — including, famously, cautiously approaching a lemon cake sitting in a glass container on the kitchen counter.

The deputies, naturally, tried to cut power and unplug the security cameras during the raid — because surely that’s what the good guys do. But they didn’t get to them fast enough. Afroman took that footage and did exactly what you’d hope a musician would do: he turned it into a pair of songs — “Lemon Pound Cake” and “Will You Help Me Repair My Door” — complete with music videos featuring the actual raid footage. The videos went massively viral. In fact, here, watch them again:

And then the deputies did what we’ve come to expect from law enforcement officers who love power but hate the accountability that very occasionally accompanies it: They sued Afroman, claiming his use of their images in his music videos caused them “emotional distress, embarrassment, ridicule, loss of reputation, and humiliation.”

At the time, we noted that this lawsuit was profoundly stupid and predicted it would only make things worse for the deputies. Three years later, the trial has begun, and I am pleased to report: it is making things so much worse for the deputies.

Let’s start with the visuals. As mentioned above, Afroman showed up to court in a full American flag suit. This is a man who understands exactly what kind of stage he’s been handed, and he’s performing brilliantly. If you want to see the entirety of his testimony, that’s on YouTube too, and it’s glorious (click through as they’ve disabled embeds on that one).

Legal reporter Meghann Cuniff has also been posting astounding video clips from the courtroom to Instagram, and they are a gift, so we’ll include a few of the best cuts here.

First, here’s Afroman on the stand making the single most devastating argument in the entire case, which is also the most obvious one: none of this would have happened if they hadn’t raided his house in the first place.

That’s it. That’s the whole case. The deputies created the raid. The raid created the footage. The footage created the songs. The songs created the “emotional distress.” The lawsuit created this trial, which is now creating a whole new wave of viral content about these deputies. Every single thing these officers are complaining about is something they set in motion themselves.

When the plaintiffs’ lawyers kept pushing him about how unfair he was being to these poor deputies, Afroman’s response was wonderful:

Don’t miss the “you’re welcome” at the end of that one.

Then there’s Afroman explaining what should be pretty obvious to anyone who has even a passing familiarity with the First Amendment: this is his freedom of speech, he makes humorous songs for entertainment, and — oh yeah — he needed to pay for the door and gate these deputies broke.

But the real fun starts when the deputies themselves take the stand. Sgt. Randolph Lee “Randy” Walters Jr. managed to admit, on the witness stand, that many of the things people have been saying about him are statements of opinion rather than fact.

For those keeping score at home: opinion is a complete defense to a defamation claim. When one of the plaintiffs in a defamation case casually concedes on the stand that the allegedly defamatory statements are opinion, that’s… not great for the plaintiffs.

And then there’s Deputy Shawn Cooley, who is apparently quite upset that people have been calling him “Lemon Pound Cake.” Yes, a law enforcement officer is in court, under oath, complaining about a nickname derived from the fact that he was filmed treating a dessert as a potential threat during a drug raid that turned up essentially nothing.

But wait, it gets better. Afroman’s defense team called Cooley’s ex-wife to the stand, where she testified that Cooley knew the song was a joke and even made fun of it himself.

So we’ve got a deputy claiming severe emotional distress over a nickname, while his own ex-wife is testifying that he was laughing about it. Outstanding.

As Defector noted in its recap of the trial’s early days:

This suit is certain to just make things worse for the department. Afroman’s videos may have gone viral but they were mostly contained, their reach, outside of the initial wave of virality, more than likely limited to Cincinnati, its surrounding areas, and whatever colleges at which Afroman goes around performing. But the trial has brought all new visibility to these videos, putting Afroman on the brink of going platinum again. There is no winning here for the cops, no matter how many distressed tears you try to pull out of these officers.

We called this three years ago when the lawsuit was filed. The deputies were upset that Afroman’s videos made them look foolish, so they filed a lawsuit that would guarantee far more people would see those videos and learn their names. The Streisand Effect remains undefeated.

There’s a serious point underneath all the absurdity. These are public servants who conducted a search of a private citizen’s home under a warrant, found essentially nothing, broke his property, possibly took his money, tried to disable his cameras, and then — when he had the audacity to use his own security footage to make fun of them — decided to use the legal system to try to shut him up and get paid for their hurt feelings.

The message they were trying to send is the same one law enforcement sends in so many of these cases: we can do whatever we want to you, and if you embarrass us for it, we’ll make your life even harder. It’s the same impulse that leads cops to arrest people for filming them, or to seize phones during protests, or to charge people with “resisting arrest” when there’s no underlying crime. The whole point is to make the cost of accountability so high that people stop trying.

But Afroman showed up in an American flag suit and explained, calmly and clearly, that he makes funny songs, that these officers raided his house for no good reason, that they broke his stuff, and that he has every right to talk about it. And the deputies’ own testimony is undermining their case in real time.

As Defector’s recap put it:

As for Afroman himself, this may not be Uncle Luke on trial or anything, but it is another case in which people must decide how much they actually like freedom of speech, as well as whether or not the police are justified to behave however they like under the auspices of “doing their job.” Actually, he explains it a lot better than I could. It’s a trial about a principle and fighting unfairness, with some funny videos making it all that much more entertaining. Justice the Afroman way is a lot more satisfying than what the system usually gives.

It sure is. The deputies wanted to punish Afroman for making them look bad. Instead, they gave him a bigger platform, a better story, and a courtroom full of cameras capturing every moment of their continued self-own. If you wanted a textbook example of why you shouldn’t use a lawsuit to silence criticism of your own embarrassing behavior, this is it.

Though I suppose we should thank the Adams County Sheriff’s Office for one thing: If they hadn’t filed this lawsuit, we wouldn’t have gotten to watch Afroman testify in an American flag suit while a deputy complains about being called Lemon Pound Cake. Sometimes the legal system truly delivers amazing moments.

07:00 AM

The Worst Sheriff You Know Just Made A Great Point (About Trump’s Anti-Migrant Actions) [Techdirt]

Obviously, this headline owes everything to The Onion, which generated this masterpiece years ago:

And so it is here: someone you’d never think would oppose fascism and bigotry deciding to speak up, despite knowing he could have just kept his head down and maintained his position as Sheriff For Life in Polk County, Florida.

I’m of course talking about Grady Judd. The sheriff of Polk County is a resolutely terrible person — someone who has routinely used the misery he inflicts on people not just in his own county, but across the nation, to elevate himself. He’s a guy who loves to hear himself talk. He loves being the center of attention, even if the attention is negative. And he’ll never turn down an opportunity to get in front of news cameras and get his id on.

Judd likes to send sex workers to jail (while pretending he’s saving them from sex traffickers), has used natural disasters to bump up arrest numbers, waged a misguided, illegal war on alleged pedophiles located well outside of his jurisdiction, and threatened to arrest Apple CEO Tim Cook for refusing to decrypt iPhones on demand.

So, it comes as a genuine surprise that Sheriff Grady Judd would say the things he’s saying about Trump’s anti-migrant actions. After all, he’s overseen directly and indirectly by a political party that’s more than willing to indulge and protect him, no matter what godawful thing he might choose to do. It’s certainly worked for him so far, given his abhorrent track record.

Nevertheless, here’s Grady Judd, pre-midterm election, airing his grievances about an administration. Here’s a man known for going too far expressing his concerns that the Trump administration has crossed a line in its immigration enforcement efforts. (h/t Aaron Reichlin-Melnick)

Florida’s Republican sheriffs want President Donald Trump to end mass deportations of undocumented immigrants who haven’t committed crimes, a striking shift from law enforcement in the nation’s most aggressive anti-undocumented immigration state. 

“While Congress sits on their hands and does nothing about this, we are on the ground floor with this day in and day out — looking in the eyes of these folks that, yes, came here inappropriately. But some came here inappropriately only to do better for themselves and their family,” Polk County Sheriff Grady Judd said Monday during a State Immigration Enforcement Council meeting. 

Judd is simply saying what non-bigots have been pointing out for years: immigrants pay more taxes, work more hours, commit fewer crimes, and are a net benefit not just for governments’ bottom lines, but for America itself.

This is coming from one of the Florida GOP’s handpicked members of its recently formed “immigration enforcement council.” Judd was no doubt chosen because the GOP expected wholehearted support of whatever it chose to do. But here’s the thing: the GOP-picked panel is seeing plenty of dissent, with Judd simply being the most-recognizable critic of Trump’s anti-immigration efforts.

At least six of the eight council members echoed Judd during Monday’s Microsoft Teams meeting — a seventh, Jacksonville Sheriff T.K. Waters, was not present for the call. One said the state has cast “too wide of a net;” another urged Judd to write to Congress, and a third offered harsh criticisms of ICE tactics.

“I wholeheartedly agree that Congress, they need to get off their butts and they need to fix it,” Charlotte County Sheriff Bill Prummell agreed. “We’re not out … just raiding business and homes, but, unfortunately, when ICE gets involved, you have the collaterals.”

While some of the other board members might just be in the “stopped clock is right twice a day” category, Judd isn’t. He’s on another level completely when it comes to being a sheriff. He’s a clock that adamantly refuses to tell time at all, and is now perhaps as surprised as anyone else that he might have (however momentarily) told time correctly.

And that’s why it looks like he’s already trying to walk some of this back.

And while that’s disappointing, it must be noted that the walkback does not include every bit of his criticism. Judd still wants immigration enforcement limited to criminals, while expressing his support to paths to citizenship for migrants who may have come here illegally, but have done nothing but contribute to their communities since their arrival.

Judd’s in a safe space. He can level this criticism and know he can’t simply be fired for going against the GOP grain, ranging from the state governor to the Commander in Chief. He’s in an elected position, which means he’d need to be voted out. And that hasn’t happened yet, despite Judd’s casual disregard for constitutional rights and jurisdictional limits. I don’t think this is the sort of thing that’s going to end his law enforcement career — not just because most voters tend to vote for incumbents, but because even some people on the far right are recognizing Trump’s anti-migrant efforts are not only bad for polls/public perception of the party, but bad for America itself.

05:00 AM

The Jehovah’s Witnesses Are Back Abusing Copyright Law To Unmask Their Critics. Again. [Techdirt]

EFF announced last week that it has stepped in to defend yet another anonymous Jehovah’s Witness critic from having their identity exposed through bogus copyright claims. The Watch Tower Bible and Tract Society — the organizational arm of the Jehovah’s Witnesses — has sent DMCA subpoenas to both Google and Cloudflare seeking information to unmask the anonymous operator of a website called JWS Library. If you’re getting a sense of déjà vu here, that’s because we’ve written about Watch Tower doing this exact thing more than once before, and they keep coming back to the same playbook.

EFF’s client, identified as J. Doe, is a current member of the Jehovah’s Witnesses who got curious about the history of the organization’s public statements and how they’ve changed over time. So Doe did something pretty straightforwardly useful. As EFF explains:

They created research tools to analyze those documents and ultimately created a website, JWS Library, allowing others to use those tools and verify their findings through an archive that included documents suppressed by the church. Doe and others discovered prophecies that failed to come true, erasure of a leader’s disgrace, increased calls for obedience and donations, and other insights about the Jehovah’s Witnesses’ practices. Doe also used machine translation on a foreign-language document to help the community understand what the church was saying to different audiences and also to help understand potential changes in the organization’s attitudes towards dissent.

That’s about as clearly transformative and non-commercial as fair use gets — it’s for research and commentary, after all. But Watch Tower doesn’t care about whether the copyright claim is actually viable. It cares about finding out who Doe is. And everyone involved knows exactly why. Again EFF’s Kit Walsh explains:

Within the church, dissent or even asking questions has often been punished by labeling members as apostates and ostracizing—or “disfellowshipping”— them. As a result, Doe and others choose to speak anonymously to avoid retaliation that could cost them family, friend, and professional relationships.

Watch Tower knows all of this, of course. That’s precisely the point. They’re not sending DMCA subpoenas to Google and Cloudflare because they have a genuine interest in protecting their copyrights — they’re using the subpoena process as a surveillance tool with a built-in punishment mechanism waiting at the other end.

We know this because we’ve watched the pattern play out in extraordinary detail multiple times. When Paul Levy of Public Citizen’s Litigation Group dug into Watch Tower’s history back in 2022, he found that the organization had filed an astounding 72 copyright subpoenas since 2017. And how many of those subpoenas resulted in an actual copyright infringement lawsuit? Essentially zero. As Levy documented:

As can be seen from this list of Watch Tower copyright infringement lawsuits, Watch Tower has never used the information obtained from these subpoenas to file an infringement action. The only infringement lawsuit that Watch Tower has filed against the target of one of its DMCA subpoenas is a current case (discussed below) in which enforcement of the subpoena was denied!

So they file subpoena after subpoena claiming they need to identify alleged infringers to bring a lawsuit, and then they never bring the lawsuit. What they do with the information, as Levy uncovered, is identify critics and then initiate disfellowship proceedings against them. The copyright claim is just the crowbar they use to pry open the door.

The one time Watch Tower actually did file a lawsuit — against a critic using the pseudonym Kevin McFree — things went badly for them. Once a judge started paying close attention to what was actually going on, Watch Tower fled the case, dismissing with prejudice. Among the more remarkable moments in that case: Watch Tower’s counsel tried to claim the organization lacked “significant funds” to pursue litigation — despite Watch Tower’s publicly available tax filings showing it has more than a billion dollars in assets. The organization also tried to use the infringement lawsuit as a vehicle to investigate how McFree had obtained leaked unpublished videos — something that had nothing to do with copyright and everything to do with plugging leaks and identifying internal dissidents.

Which makes the history here so galling. The Jehovah’s Witnesses have one of the most impressive First Amendment track records of any organization in American legal history. Starting with Lovell v. City of Griffin in 1938, they brought a string of landmark cases establishing core free speech protections that benefit all of us today. They fought for the right to go door-to-door without identifying themselves, and against compelled speech. Watch Tower’s own in-house counsel, Paul Polidoro — the same lawyer who has been issuing many of these DMCA subpoenas — successfully argued before the Supreme Court for the right of Jehovah’s Witnesses to speak anonymously.

And now that same organization is systematically using copyright law’s cheapest, lowest-bar procedural tool to strip anonymity from its own members who dare to ask questions. As EFF puts it:

The First Amendment does not permit the unmasking of anonymous speakers based on such weak claims. Indeed, the First Amendment protects anonymous speakers precisely because some would be deterred from speaking if they faced retribution for doing so.

Watch Tower got caught doing this in 2019. They got caught again in 2022 and ran away from court once a judge saw through the scheme. And here they are in 2026, right back at it. There’s no honest way to treat these as isolated incidents — this is a deliberate, ongoing policy of abusing copyright as a weapon against internal dissent. The DMCA subpoena process — designed to be quick and cheap — is working exactly as Watch Tower wants: a low-cost intelligence-gathering operation that most targets can’t afford to fight.

EFF is pushing back, at least. But it shouldn’t require EFF — or, as in the last case, Paul Levy and Public Citizen Litigation Group — to show up every single time before a court will acknowledge that an organization with a billion dollars in assets and a decade-long pattern of filing subpoenas it never converts into actual lawsuits is abusing the process. At some point, courts should be able to connect these dots on their own.

Daily Deal: The Modern No-Code Development Bundle [Techdirt]

The Modern No-Code Creator Bundle is an extensive online curriculum specifically developed to enable individuals to construct professional websites, applications & automated workflows without the necessity of writing any code. It has five courses, covering leading no-code platforms and tools like ChatGPT, Mendix, and Tabnine. It is ideally suited for novices and non-technical professionals, empowering users to successfully launch digital products independently of developer assistance. It’s on sale for $20.

Note: The Techdirt Deals Store is powered and curated by StackCommerce. A portion of all sales from Techdirt Deals helps support Techdirt. The products featured do not reflect endorsements by our editorial team.

03:00 AM

Trump Has Racked Up At Least 157 Extrajudicial Boat Strike Murders In The Last 6 Months [Techdirt]

The boat strike program the Trump administration is engaged in isn’t actually supported by law. Even his own in-house counsel can’t seem to agree on what justification to use. Shortly after being threatened with a little congressional oversight, the Office of Legal Counsel shrugged together a legal memo that basically said that the less of a direct threat boats allegedly carrying drugs to the US posed to US national security, the more easily the people in the boats could be killed.

And it’s not like the strikes are discriminate. They’re based on hunches and the administration’s desire to eradicate any boat it thinks has departed from countries it wants to control, like Venezuela. On top of the lack of legal rationale for initial strikes, there’s evidence the Defense Department engages in double- or triple-tap attacks meant to kill the survivors of the original strike — something that’s extremely handy because it also kills potential litigants.

Those extra strikes are illegal under even the United State’s own rules of engagement. And yet they continue. These strikes may have fallen off the radar due to the deluge of unbelievably horrific shit this administration generates daily, but they’re still happening even if the focus has shifted elsewhere.

Fighting a war on drugs doesn’t actually mean you’re engaged in a literal war — you know, the sort of thing Congress used to get angry about if presidents decided they’d rather not deal with any resistance from the legislative branch when getting their war on. This country engages on “wars” on everything from literacy and hunger (but not this administration) to abstract concepts like “woke” and “transgender everywhere.”

That doesn’t mean the administration can drone strike entities still clinging to DEI initiative. Nor can it blow up shipments of cell phones designed for children’s hands just because it believes these “distractions” are leading to lower reading comprehension scores.

The same goes for the War on Drugs. While there’s value in intercepting shipments and arresting those involved, a military program that kills people just because they might be trafficking drugs (much of which appears to headed to other destinations than the United States) is not only illegal, it’s immoral.

Human rights organizations — including those recognized by international governing groups — are making this point as forcefully as possible.

Experts in international and U.S. domestic law told an inter-American human rights organization on Friday that the Pentagon’s campaign of blowing up boats it suspected of smuggling drugs in the Pacific Ocean and the Caribbean was illegal.

[…]

Ben Saul, the U.N. special rapporteur for protecting fundamental freedoms while countering terrorism, accused the United States of “responding with lawless violence that flagrantly violates human rights, in its phony war on so-called narco-terrorism.”

“Drug trafficking is a crime, not war,” said Mr. Saul, a professor of international law. He also said a portrayal of the suspected drug traffickers as being responsible for “speculative drug overdoses” did not constitute a “permissible law enforcement action in personal self-defense or the defense of others.”

Perhaps you’re as cynical as I am. Maybe you see this and wonder what is even the point: some dude said some stuff to the United Nations, which doesn’t mean much now that the Trump administration has decided no other nation or international association of nations has the power to stop it from doing what it wants to do.

Sure, there’s limited utility in statements made to entities the US government is just going to ignore. But don’t let that bury the lede: the Trump administration is engaged in an unprecedented murder program predicated solely on its legally unsupported position that trafficking drugs (to anywhere!) is exactly identical to engaging in terrorist attacks against US citizens.

Here’s how this is adding up so far, according to the tally generated by the New York Times:

The U.S. military has blown up 45 small vessels, killing at least 157 people, in six months of strikes since September. 

This is an under-count. There’s no reason to believe the government has released information on every strike, especially since it delayed release of footage showing the military engaging in multiple strikes to murder survivors of its initial boat strike. We may never know the full body count of this extrajudicial killing program. But it’s harrowing to note (as the Times does in its report) that only two rescues of boat strike victims occurred during the last six months, even though the military is obligated — by US law and international law — to attempt to rescue survivors of military attacks it engages in.

The White House is War Crime Central. And now it’s adding to its rap sheet by bombing Iranian schools on top of killing people in international waters. The administration’s response, of course, refused to engage with the allegations made during this conference, choosing instead to claim (1) the Intra-American Human Rights Court (IAHCR) should mind its own business and (2) that it should look at some other cases that don’t involve the Trump administration’s casual human rights violations. You know, the usual stuff: “you’re not the boss of me” + whataboutism.

It’s the State Department pretending you can make a Venn diagram out of humanitarian aid mandates and international human rights laws:

The IACHR lacks the competence to review the matters at issue, which concern the interpretation and application of international humanitarian law, not human rights law, and should not be a pawn in a domestic litigation strategy of the ACLU or any other party.

A normal person would see these concepts as nearly completely overlapping. This administration is not normal. It’s a collective of inhumane people with an inordinate amount of power. And from what’s seen here, it’s clear the body count in international waters will only continue to rise.

Wednesday 2026-03-18

11:00 PM

The hollow orange [Seth Godin's Blog on marketing, tribes and respect]

It’s tempting but useless.

The skin is unblemished and the perfect color. It’s well displayed, promoted widely and on sale.

But there’s nothing inside. It’s not worth eating and certainly not worth sharing.

This is the streaming series with great lighting and talented actors, based on a beloved novel, but it’s empty and we fade after one or two episodes.

This is the book with a polished author photo, pre-written blurbs and plenty of footnotes, created by a ghostwriter and edited by committee.

And it’s almost any content created by AI without care or oversight.

The solution to hollow oranges isn’t more of them.

      

Pete Hegseth: We Can’t Wait For Larry Ellison To Turn CNN Into Another Right Wing Propaganda Mill [Techdirt]

We’ve noted repeatedly how the U.S. authoritarian right is buying up all of our new and old media companies because they’re trying to mimic what Viktor Orban created in Hungary. Namely, a media where all the major outlets are owned by rich autocratic allies, who spew propaganda 24/7 while the government strangles real, independent journalism just out of frame.

Of course, you’re supposed to try and have some subtlety in this so the public isn’t fully aware of the con. But the Trump administration doesn’t do subtlety.

Last week Secretary of Defense Pete Hegseth apparently got upset by the fact Trump’s war in Iran isn’t going very well. Poor Donald clearly didn’t understand the evolving nature of modern and inexpensive drone warfare (despite all the brutal evidence in Ukraine), and has gotten the country bogged down in precisely the sort of clusterfuck the fake populist pretended he opposed last election season.

Even our soggy corporate press has occasionally been making this clear to the public, something that upsets Pete Hegseth very much. Hegseth apparently got particularly upset with CNN recently insisting that the Iran War had “intensified.” It made him so upset that he openly pined for the moment when Larry Ellison (and his nepobaby son) control CNN, so they can cheerlead for war:

Hegseth: "Some in the press can't stop. Allow me to make suggestions. People look at the TV and they see banners, 'Mideast War Intensifies.' What should it read instead? How about, 'Iran increasingly desperate.' More fake news from CNN. The sooner David Ellison takes over that network, the better"

Aaron Rupar (@atrupar.com) 2026-03-13T12:15:57.966Z

One of the funniest parts about this is that claims the war had “intensified” was made by his own agency in a press release!

Hegseth: Why do the headlines say inflammatory things like “war intensifies”?Pentagon official press release 3 days ago: Hegseth says war intensifies

Roger Sollenberger (@sollenbergerrc.bsky.social) 2026-03-13T16:19:22.753Z

It’s very clear that the U.S. right wing won’t be satisfied until the entirety of U.S. media is owned by a handful of rich right wingers like Larry Ellison and Elon Musk, allowing them to create a North Korea bullhorn of daily, uniform propaganda that does nothing but lavish praise upon them. To build something like that here in the States requires a level of subtlety they’re simply not capable of:

Donald Trump is now just openly bragging about interfering in the media. He's the president. He's running a truck over the first amendment here.

James Ball (@jamesrball.com) 2026-03-14T15:06:48.343Z

Democrats historically suck on media policy and reform (even the progressive wing of the party is fairly incompetent on the subject), so you can’t expect much help there.

But there are several things working in our favor, including America’s sheer size (it’s very difficult to maintain the kind of control they’re looking for), our diversity, the decentralized nature of the modern internet, and the fact that most of the nepobabies (David Ellison) and brunchlords (Bari Weiss) integral to their plans appear to have absolutely no Earthly idea what they’re actually doing.

For example, all the debt Ellison has adopted from the purchase of CBS and Warner Brothers is going to force them to engage in massive, unprecedented cost cuttings and layoffs, making it hard to maintain informational control and build an effective, ratings-grabbing propaganda operation (even if Bari Weiss knew what she was doing, which she assuredly does not).

And the public still has agency. Larry Ellison can buy TikTok and Elon Musk can buy Twitter, but they can’t control the flow of the public as they flee to other, less white supremacist, right wing friendly alternatives. It’s sheer hubris to think they can maintain information control in a country this massive and diverse, and there will be some useful entertainment value in watching them set money on fire trying.

06:00 PM

Cloudflare Challenges Legality of Italy’s “Piracy Shield”, Appeals €14 Million Fine [TorrentFreak]

cloudflare logoLaunched in 2024, Italy’s elaborate ‘Piracy Shield‘ blocking scheme was billed as the future of anti-piracy efforts.

To effectively tackle live sports piracy, its broad blocking powers aim to block piracy-related domain names and IP addresses within 30 minutes.

While many pirate sources have indeed been blocked, the Piracy Shield is not without controversy. There have been multiple reports of overblocking, where the anti-piracy system blocked access to legitimate sites and services.

€14,247,698 ‘Piracy Shield’ Fine

Cloudflare was caught up in several of those incidents and became one of Piracy Shield’s most prominent critics. Following an amendment that extended the scheme’s reach to DNS providers and VPNs, the American Internet infrastructure company refused to filter pirate sites through its public 1.1.1.1 resolver, arguing that it was unreasonable and disproportionate.

In response to the refusal, Italy’s communications regulator AGCOM launched a formal investigation. In January, the regulator concluded that Cloudflare has all the technological expertise and resources to implement the blocking measures. AGCOM argued that the company is known for its complex traffic management, and rejected the suggestion that complying with the blocking order would break its service.

After weighing all arguments, AGCOM imposed a €14,247,698 (USD $16.4m) fine against Cloudflare for failing to comply with the required anti-piracy measures. The regulator added that this fine represents 1% of the company’s global revenue, adding that the law allows for a maximum of 2%.

Cloudflare Formally Appeals

This week, Cloudflare explained in a blog post why it formally appealed the fine on March 8. According to the company, this case is about more than money, as it believes that the Piracy Shield blocking regime puts the open Internet at risk.

The company stresses that the controversial pirate site blocking system essentially operates as a “black box”.

“This case isn’t just about a single penalty; it’s about whether a handful of private entities can prioritize their own economic interests over those of Internet users by forcing global infrastructure providers to block large swaths of the Internet without oversight, transparency, or due process,” Cloudflare notes.

Black-Box

blackbox

Cloudflare further stresses that the Piracy Shield’s flaws and shortcomings are no accident. In its blog post, the company points out that Piracy Shield was “donated” to the Italian government by SP Tech, an arm of the law firm that represents several of the scheme’s direct beneficiaries, including the Serie A, Italy’s top soccer league.

Failures and Flaws

Cloudflare once again reiterates that the Piracy Shield scheme is a blunt instrument that created an unavoidable risk of overblocking. This includes many innovative sites and services, including Government websites, educational resources, and access to Google Drive, which were all blocked at some point.

This massive overblocking and collateral damage was also confirmed in a study by researchers from the University of Twente last September. They concluded that Piracy Shield is linked to “significant collateral damage to legitimate infrastructure” and may pose a “potential threat to national security.”

AGCOM has been aware of the critique, including the European Commission’s concerns, but it continues to stay the course. Instead of limiting the impact, it broadened the scheme to include DNS resolvers and VPNs.

“Even when faced with clear evidence that Piracy Shield has caused significant and repeated overblocking, AGCOM did not change course. Rather, it chose to expand Piracy Shield to apply to global DNS providers and VPNs, services which are closely associated with privacy and free expression,” Cloudflare writes.

Challenging Piracy Shield’s Legality

In addition to overblocking concerns, Cloudflare also stresses that the Piracy Shield lacks transparency. These and other issues will likely be brought up during the appeal, which will also question the amount of the fine.

AGCOM previously noted that the €14 million fine is less than the legally permitted 2% of Cloudflare’s global revenue. However, Cloudflare counters that Italian non-compliance fines are capped at 2% of a company’s revenue within the relevant jurisdiction, which would be approximately €140,000, not 100 times that.

100 times higher

100 times higher

All in all, the company says that it will continue to challenge the controversial piracy blocking scheme to the best of its ability.

“We are not backing down. Cloudflare is appealing the €14 million fine, pushing for full access to AGCOM’s Piracy Shield records, and will continue to challenge the underlying legality of the Piracy Shield blocking orders in the Italian administrative courts,” Cloudflare notes.

From: TF, for the latest news on copyright battles, piracy and more.

02:00 PM

Full Circle: Katie Perry Gets Her Trademark Back In Australia, Court Says No Risk Of Confusion [Techdirt]

It’s been a long and winding road to mostly get us right back to where we started in the battle between pop star Katy Perry and Aussie clothing designer Katie Perry. If you’re not familiar with this saga, here is a brief summary. Note that I will be mostly using only Katy and Katie when naming the players here to avoid confusion.

Katie Taylor is the real name of the Aussie designer, but she began selling clothing under the name “Katie Perry” in 2008 and secured a trademark for the name in Australia for clothing. While Katy’s team initially sent a C&D to Katie’s business around that same time, it appears nothing came of that C&D, even as the singer went on a worldwide tour that included Australia in 2014. That’s when Katie sued Katy, arguing that clothing merch sold on her local tour constituted trademark infringement, as the public might be confused between the two entities and who was producing what and for whom. She won her initial lawsuit, but Katy appealed and won, with the court not only clearing her of trademark infringement but also canceling Katie’s trademark entirely. Rather than leaving well enough alone, Katie appealed that ruling to Australia’s High Court.

And that brings us to an unlikely present, in which the High Court partially agreed with Katie’s appeal, reinstating her trademark, but not ruling that Katy Perry infringed upon it. I’m going to stay away from the first part of CNN’s post on the matter, because it does a horrible job of framing all of this, mostly in that in paints Katie Perry as some kind of underdog victim in all of this when she very much is not. But as for the ruling itself:

But on Wednesday, Australia’s High Court overturned the ruling, arguing the cancellation of the trademark was not warranted, and the use of the “Katie Perry” trademark was not likely to deceive or cause confusion.

Taylor said the court battle was a long and difficult process, but she did it to show that trademarks are there to protect small businesses, not just large brands.

“So many people said to me, like, why don’t you just give up? It’s not worth it. I really believe in standing up for your values. Truth and justice are part of my core and my values.”

And this is where I’m once again frustrated with CNN’s posture in its reporting. Katie sued Katy. That’s how this whole episode really started. Katie talking about how she is glad this all isn’t hanging over her head when she started the lawsuit that led to all of this is insane. This was a self-inflicted wound of epic proportions on a timeline equally crazy.

But the key part to me is that the logic behind ruling that Katie can have her trademark back is that Katie’s and Katy’s trademarks can coexist without any real concern for deception or confusion. That same logic is what I stated at the start of this whole ordeal as the reason this trademark lawsuit battle never should have been started in the first place.

Started by Katie Perry, I’ll remind you. And so we’ve come full circle, with both groups having their trademarks but without any actual infringement having occurred. It’s been a wild, stupid trip, but I guess we got where we were going: right back to where we started.

01:00 PM

Kanji of the Day: 子 [Kanji of the Day]

✍3

小1

child, sign of the rat, 11PM-1AM, first sign of Chinese zodiac

シ ス ツ

こ -こ ね

子供   (こども)   —   child
子ども   (こども)   —   child
女子   (おなご)   —   woman
男子   (だんし)   —   boy
息子   (むすこ)   —   son
様子   (ようす)   —   state (of affairs)
子育て   (こそだて)   —   child rearing
お子さん   (おこさん)   —   child
女の子   (おんなのこ)   —   girl
子供たち   (こどもたち)   —   children

Generated with kanjioftheday by Douglas Perkins.

Kanji of the Day: 叱 [Kanji of the Day]

✍5

scold, reprove

シツ シチ カ

しか.る

叱る   (しかる)   —   to scold
叱り   (しかり)   —   scolding
叱咤   (しった)   —   scolding
叱責   (しっせき)   —   reprimand
お叱り   (おしかり)   —   scolding
叱咤激励   (しったげきれい)   —   giving a loud pep talk
叱りつける   (しかりつける)   —   to rebuke
叱り飛ばす   (しかりとばす)   —   to rebuke strongly
御叱り   (おしかり)   —   scolding
叱り付ける   (しかりつける)   —   to rebuke

Generated with kanjioftheday by Douglas Perkins.

Simplifying Certificate Renewals for Millions of Domains with ACME Renewal Information (ARI) [Let's Encrypt]

Nick Silverman is a Senior Infrastructure Engineer on the Edge Infrastructure team at Shopify, where he maintains the systems that provision, renew, and publish SSL certificates for millions of merchants’ custom domains. He is also a contributor to the Ruby acme-client gem.

The challenge

Shopify’s automated certificate management system relied on a static renewal threshold: 30 days before the end of the 90-day lifetime. To spread the load of provisioning and renewing certificates, we implemented a random 0–72 hour delay for each. While this helps evenly distribute certificate management over time, it did not take into account the Certificate Authority’s (CA) load. It was also incapable of reacting to a dynamic renewal window based on information provided by the CA.

However, this approach needed greater resilience to solve what is, in the end, a distributed coordination problem. The weaknesses are:

  • No rapid revocation response: The static logic is not aware of revocations at all.

  • Brittleness to lifetime changes: The static 30-day threshold is not resilient to changes in certificate lifetime, such as Let’s Encrypt’s announced plan to move to 45-day certificates.

  • Imperfect load distribution: Despite the random jitter, massive renewal bursts could still occur.

Shopify needed to develop a global coordination system to balance the load and handle regular and urgent renewals. Thankfully, Let’s Encrypt has led the charge on a solution for this and other very important aspects of the certificate lifecycle.

The journey

Let’s Encrypt and the Internet Engineering Task Force (IETF) published the ACME Renewal Information (ARI) standard which makes an endpoint available that provides a recommended window of time for the renewal to occur. The endpoint returns a payload that looks something like this:

GET /renewal-info/ACME_KEY_IDENTIFIER
{
  "suggestedWindow": {
    "start": "2026-02-03T04:00:00Z",
    "end": "2026-02-04T04:00:00Z"
  }
}

Shopify’s certificate management system uses the acme-client Ruby gem originally authored by another Shopify employee. A growing number of ACME clients, including certbot, have enabled support for ARI, but the Ruby gem did not yet support this feature. Rather than building a custom solution, we decided to enable support for the ARI extension directly in the client.

Let’s Encrypt’s guide to integrating ARI provided the necessary roadmap, and the implementation was completed with one PR. This contribution means that not only Shopify, but also the wider Ruby community, can benefit from the ARI extension.

Deployment and ARI at scale

Once we shipped the gem support, integrating ARI into our certificate management system was straightforward. Instead of checking a static 30-day threshold, we now query the ARI endpoint and use the suggested renewal window as the gate for initiating renewals. Those dates are stored alongside the certificate upon its initial provisioning.

The updated Ruby gem provides a method for fetching renewal information:

renewal_info = client.renewal_info(certificate: existing_certificate_pem)

This method generates an ARI certificate identifier that can be used when making the API call. The client also includes a helper method, suggested_renewal_time, which chooses a random time between the returned start and end dates. The certificate identifier can be passed to the new_order method via the replaces key, which can grant a higher priority or bypass rate limits for renewals occurring during the window, depending on the CA’s policies.

Critically, Shopify also regularly polls the ARI endpoint for updated renewal timestamps. This allows our systems to rely on those timestamps as the primary renewal timing logic and removes the need for inflexible hard-coded expiry thresholds. This becomes the mechanism that LetsEncrypt uses to dynamically change the renewal time due to a revocation event.

Results and rewards

Since enabling the use of the ARI extension, our certificate management system has become significantly more robust. Shopify now delegates the responsibility of determining renewal timing to Let’s Encrypt. The ARI extension has proven to be an impactful infrastructure improvement and the benefits gained are immediate. These benefits, alongside fewer manual interventions, are the operational success story:

  • Future-proofing: We gained resilience against any future certificate lifetime changes and mass revocation events without needing code updates—ensuring our renewal logic is flexible.

  • Optimized load: We directly benefit from the CA’s coordinated load balancing provided by the suggested renewal window, eliminating local randomness issues and the need for complex global coordination.

  • Revocation readiness: ARI allows systems to quickly detect and respond to revocation events when an urgent renewal is necessary, well before certificates get close to their due dates.

  • Simple implementation: The extension is mature (RFC 9773) and the implementation is straightforward, providing simplified renewal logic and CA-optimized timing.

  • Good citizenship: Anyone using ARI helps the CA optimize its infrastructure, and contributes to better aggregate behavior across the entire ecosystem.

If you’re still relying on static renewal thresholds, give ARI a look—Shopify wholeheartedly encourages all ACME users and client developers to adopt the ARI extension.

Survey Insights 2026 [OsmAnd Blog]

In the first half of March, we ran a survey to better understand how people use OsmAnd and what they expect from it. At OsmAnd, we often talk about offline maps, route planning, and outdoor navigation. But the most important question is simpler: how do people actually use OsmAnd, and what do they need from it?

To explore that, we collected feedback across five language groups: English, German, French, Italian, and Spanish.

The results gave us a clear picture. Users value OsmAnd for its depth, flexibility, and offline capabilities — especially in situations where reliability and preparation matter. At the same time, the survey highlighted areas where the app still creates friction, particularly around usability, search, and routing confidence.

This post shares some of the main themes that appeared across all five surveys.

Survey Results

Who responded

We received responses from users across five language groups:

LanguageResponses
German965
English724
French294
Spanish255
Italian250

In total, that gave us 2,488 responses.

Most respondents were already experienced OsmAnd users. In every language group, the majority had used the app for more than a year. This means the feedback mainly came from people who know the product well and use it regularly in real situations.

What users value most

Across all languages, several themes appeared again and again.

Users consistently described OsmAnd as most valuable for:

  • Offline maps while traveling
  • Planning routes in advance
  • Hiking and trekking
  • Walking and exploring
  • Cycling
  • Navigation in remote or rural areas
  • Recording and following GPX tracks

This confirms something important: for many people, OsmAnd is not just a general-purpose map app. It is a tool for prepared travel, outdoor activities, and offline navigation.

That was especially visible in the strongest use cases by language:

LanguageMost visible traits
GermanHiking, walking, cycling, offline travel
EnglishOffline travel, walking, hiking, route planning
FrenchOffline use, route planning, GPX recording, hiking
ItalianHiking, GPX use, motorcycling, route planning
SpanishRoute planning, rural navigation, motorcycling, offline use

Even with those differences, one core idea was shared across all groups: users rely on OsmAnd when they want control, flexibility, and offline confidence.

What users appreciate about OsmAnd

The survey shows that users see OsmAnd as:

  • powerful
  • flexible
  • feature-rich
  • useful in remote and offline scenarios
  • well suited for outdoor and advanced navigation needs

Many users clearly trust OsmAnd in situations where mainstream navigation apps may not be enough — for example during hiking trips, travel abroad, off-road navigation, or route planning far from a stable connection.

This is one of OsmAnd’s strongest product and brand advantages.

The main friction points

The feedback was positive overall, but one message came through very clearly:

Users value OsmAnd’s power, but many find it too complex.

This theme appeared in all five surveys.

The most common issues mentioned were:

  • Interface complexity
  • Too many settings or hard-to-find options
  • Search quality
  • Routing trust and route quality
  • Map/data reliability in some cases
  • Performance or stability problems for some users
  • Friction in GPX and track workflows

In other words, the main challenge is not simply a lack of features.

The challenge is that the value of those features is not always easy to access.

For many users, OsmAnd feels extremely capable — but sometimes harder to learn or use than it should be.

A strong product, but with usability pressure

One of the most encouraging findings is that overall loyalty remains strong.

Across all language groups, recommendation scores were high. Users clearly believe in the product. But that does not mean there is no risk.

Many respondents said they had at least occasionally considered using another app because of issues such as complexity, search friction, or routing behavior.

That creates an important tension:

  • users respect OsmAnd
  • users trust its strengths
  • but some still turn to other apps for faster, simpler, or more convenient everyday tasks

This suggests that OsmAnd’s biggest opportunity is not only to add more capabilities, but to make the existing capabilities easier to use with confidence.

What users use alongside OsmAnd

Many respondents also mentioned using other navigation apps in parallel with OsmAnd. This is not surprising — most people have multiple apps for different purposes.

The reasons were fairly consistent:

ReasonTypical alternatives
Simpler interface and faster everyday useGoogle Maps, Organic Maps
Real-time traffic and driving convenienceGoogle Maps, Waze, HERE WeGo
Outdoor route discovery and community featuresKomoot, Strava, AllTrails, Wikiloc
Specialized or backup navigation useGaia GPS, Locus Map, Sygic, Maps.me

This comparison is useful because it shows that OsmAnd is not mainly competing on “how many features it has.” In many cases, it is competing on clarity, convenience, trust, and speed of everyday use.

What differs by language group

Although the overall themes were similar, each language group had its own profile.

German-speaking users

German-speaking respondents showed the strongest concentration around hiking, walking, cycling, and offline travel. This looks like a highly outdoor-oriented group with regular use patterns and strong engagement.

English-speaking users

English-language responses were the broadest in profile. They combined offline travel, walking, hiking, route planning, and rural navigation, showing a wide mix of travel, outdoor, and practical navigation use cases.

French-speaking users

French-speaking respondents stood out as strong offline and travel-oriented users, with high mentions of route planning, GPX recording, and hiking. This group reflects a power-user profile that values preparation and track-based workflows.

Italian-speaking users

Italian-speaking users showed a distinctive mix of hiking, GPX use, route planning, and motorcycling. Compared with some other groups, motorcycling was especially visible here.

Spanish-speaking users

Spanish-speaking respondents stood out most clearly for route planning, remote-area navigation, motorcycling, and daily car use. This group appears more road-navigation-oriented than the German or French groups, while still valuing offline and advanced use.

What all groups have in common

Despite these differences, the common patterns are more important than the differences.

Across all five surveys, users consistently described OsmAnd as:

  • a strong offline navigation tool
  • especially useful for travel and outdoor scenarios
  • more flexible than many mainstream alternatives
  • valuable for users who want control over routes and maps

At the same time, all five groups also pointed to similar improvement areas:

  • make the interface easier to understand
  • make search more reliable
  • improve routing trust
  • reduce friction in core workflows
  • keep the power, but make it easier to use

This consistency across languages is one of the strongest findings in the entire survey.

What this means for OsmAnd

The survey confirms that OsmAnd already has a clear identity.

Users do not mainly come to OsmAnd because it is the simplest navigation app. They come because it offers something deeper:

  • offline confidence
  • route control
  • outdoor readiness
  • map flexibility
  • support for advanced use cases

That is a real strength.

At the same time, the survey also shows a clear direction for improvement. Users do not want OsmAnd to become generic or stripped down. They want it to remain powerful — but to feel clearer, easier, and more trustworthy in everyday use.

That is an important distinction.

The goal is not to reduce what makes OsmAnd special.
The goal is to make that value easier to reach.

Thank you

We are grateful to everyone who took the time to answer the survey.

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Homework [The Stranger]

Got problems? Yes, you do! Email your question for the column to mailbox@savage.love! by Dan Savage I’m a 50-year-old married bisexual American man living in Europe with my wife and kids. The “bi” part of me is still extremely new. Two years ago, I started seeing a sex-positive therapist to address my significant interest (and feelings of guilt about) kink and BDSM. Long story short, I admitted to myself that I wasn’t just into kink, but that that I was also bisexual. All the things I thought would be difficult —coming out to my wife, discussing an open marriage, having my first gay experiences — have gone really well. My wife and I are in a great place, and I feel better about myself than I have in a long time. The part I struggle with is identity. I consider myself bisexual, Dan, but I have no idea what being queer means. If I were in the U.S., I would find some social groups and meet…

[ Read more ]

11:00 AM

Pluralistic: William Gibson vs Margaret Thatcher (17 Mar 2026) [Pluralistic: Daily links from Cory Doctorow]

->->->->->->->->->->->->->->->->->->->->->->->->->->->->-> Top Sources: None -->

Today's links



Two boxers squaring off. One (with blue gloves) has the head of William Gibson. The other (red gloves) has the head of Margaret Thatcher. The background is an engraving of a 16th century complex machine.

William Gibson vs Margaret Thatcher (permalink)

William Gibson is one of history's most quotable sf writers: "The future is here, it's not evenly distributed"; "Don't let the little fuckers generation-gap you"; "Cyberspace is everting"; and the immortal: "The street finds its own uses for things":

https://en.wikiquote.org/wiki/William_Gibson

"The street finds its own uses" is a surprisingly subtle and liberatory battle-cry. It stakes a claim by technology's users that is separate from the claims asserted by corporations that make technology (often under grotesque and cruel conditions) and market it (often for grotesque and cruel purposes).

"The street finds its own uses" is a statement about technopolitics. It acknowledges that yes, there are politics embedded in our technology, the blood in the machine, but these politics are neither simple, nor are they immutable. The fact that a technology was born in sin does not preclude it from being put to virtuous ends. A technology's politics are up for grabs.

In other words, it's the opposite of Audre Lorde's "The master's tools will never dismantle the master's house." It's an assertion that, in fact, the master's tools have all the driver-bits, hex-keys, and socket sets needed to completely dismantle the master's house, and, moreover, to build something better with the resulting pile of materials.

And of course the street finds its own uses for things. Things – technology – don't appear out of nowhere. Everything is in a lineage, made from the things that came before it, destined to be transformed by the things that come later. Things can't come into existence until other things already exist.

Take the helicopter. Lots of people have observed the action of a screw and the twirling of a maple key as it falls from a tree and thought, perhaps that could be made to fly. Da Vinci was drawing helicopters in the 15th century:

https://en.wikipedia.org/wiki/Leonardo%27s_aerial_screw

But Da Vinci couldn't build a helicopter. No one could, until they did. To make the first helicopter, you need to observe the action of the screw and the twirling of a maple key, and you need to have lightweight, strong alloys and powerful internal combustion engines.

Those other things had to be invented by other people first. Once they were, the next person who thought hard about screws and maple keys was bound to get a helicopter off the ground. That's why things tend to be invented simultaneously, by unrelated parties.

TV, radio and the telephone all have multiple inventors, because these people were the cohort that happened to alight upon the insights needed to build these technologies after the adjacent technologies had been made and disseminated.

If technopolitics were immutable – if the original sin of a technology could never be washed away – then everything is beyond redemption. Somewhere in the history of the lever, the pulley and the wheel are some absolute monsters. Your bicycle's bloodline includes some truly horrible ancestors. The computer is practically a crime against humanity:

https://pluralistic.net/2021/10/24/the-traitorous-eight-and-the-battle-of-germanium-valley/

A defining characteristic of purity culture is the belief that things are defined by their origins. An artist who was personally terrible must make terrible art – even if that art succeeds artistically, even if it moves, comforts and inspires you, it can't ever be separated from the politics of its maker. It is terrible because of its origins, not its merits. If you hate the sinner, you must also hate the sin.

"The street finds its own uses" counsels us to hate the sinner and love the sin. The indisputable fact that HP Lovecraft was a racist creep is not a reason to write off Cthulhoid mythos – it's a reason to claim and refashion them:

https://pluralistic.net/2021/01/09/the-old-crow-is-getting-slow/#i-love-ny

The claim that sin is a kind of forever-chemical contaminant that can't ever be rinsed away is the ideology of Mr Gotcha:

We should improve society somewhat.

Yet you participate in society. Curious!

https://thenib.com/mister-gotcha/

In its right-wing form, it is Margaret Thatcher's "There is no alternative":

https://pluralistic.net/2024/10/15/piketty-pilled/#tax-justice

Thatcher demanded that you accept all the injustices and oppressions of capitalism if you enjoyed its fruits. If capitalism put a roof over your head and groceries in your fridge, you can't complain about the people it hurts. There is no version of society that has the machines and practices that produced those things that does not also produce the injustice.

The technological version of this is the one that tech bosses peddle: If you enjoy talking to your friends on Facebook, you can't complain about Mark Zuckerberg listening in on the conversation. There is no alternative. Wanting to talk to your friends out of Zuck's earshot is like wanting water that's not wet. It's unreasonable.

But there's a left version of this, its doppelganger: the belief that a technology born in sin can never be redeemed. If you use an LLM running on your computer to find a typo, using an unmeasurably small amount of electricity in the process, you still sin – not because of anything that happens when you use that LLM, but because of LLMs' "structural properties," "the way they make it harder to learn and grow," "the way they make products worse," the "emissions, water use and e-waste":

https://tante.cc/2026/02/20/acting-ethical-in-an-imperfect-world/

The facts that finding punctuation errors in your own work using your own computer doesn't make it "harder to learn and grow," doesn't "make products worse," and doesn't add to "emissions, water use and e-waste" are irrelevant. The part that matters isn't the use of a technology, it's the origin.

The fact that this technology is steeped in indisputable sin means that every use of it is sinful. The street can find as many uses as it likes for things, but it won't matter, because there is no alternative.

When radical technologists scheme to liberate technology, they're not hoping to redeem the gadget, they're trying to liberate people. Information doesn't want to be free, because information doesn't and can't want anything. But people want to be free, and liberated access to information technology is a precondition for human liberation itself.

Promethean leftists don't reject the master's tools: we seize them. The fact that Unix was born of a convicted monopolist who turned the screws on users at every turn isn't a reason to abandon Unix – it demands that we reverse-engineer, open, and free Unix:

https://pluralistic.net/2025/01/20/capitalist-unrealism/#praxis

We don't do this out of moral consideration for Unix. Unix is inert, it warrants no moral consideration. But billions of users of free operating systems that are resistant to surveillance and control are worthy of moral consideration and we set them free by seizing the means of computation.

If a technology can do something to further human thriving, then we can love the sin, even as we hate the sinners in its lineage. We seize the means of computation, not because we care about computers, but because we care about people.

Artifacts do have politics, but those politics are not immutable. Those politics are ours to seize and refashion:

https://faculty.cc.gatech.edu/~beki/cs4001/Winner.pdf

"The purpose of a system is what it does" (S. Beer). The important fact about a technology is what it does, not how it came about. Does a use of a technology harm someone? Does a use of a technology harm the environment?

Does a use of a technology help someone do something that improves their life?

Studying the origins of technology is good because it helps us avoid the systems and practices that hurt people. Knowing about the monsters in our technology's lineage helps us avoid repeating their sins. But there will always be sin in our technology's past, because our technology's past is the entire past, because technology is a lineage, not a gadget. If you reject things because of their origins – and not because of the things they do – then you'll end up rejecting everything (if you're honest), or twisting yourself into a series of dead-ends as you rationalize reasons that the exceptions you make out of necessity aren't really exceptions.

(Image: Dylan Parker, CC BY-SA 2.0, modified)


Hey look at this (permalink)



A shelf of leatherbound history books with a gilt-stamped series title, 'The World's Famous Events.'

Object permanence (permalink)

#25yrsago Prison for spamming https://it.slashdot.org/story/01/03/15/1325251/spammers-face-jail-time

#25yrsago 1040 for laid-off dot com workers https://web.archive.org/web/20010603113932/http://www.girlchick.com/erin/Pics/DotCom1040.jpg

#25yrsago Sony ships a PalmOS device https://web.archive.org/web/20010331181042/http://www.sony.co.jp/sd/CLIE/index_pc.html

#25yrsago “You Own Your Own Metadata” https://www.feedmag.com/templates/default_a_id-1648

#20yrsago Action-figures made from Ethernet cable https://basik.ru/handmade/2066/

#15yrsago Poor countries have more piracy because media costs too much — report https://web.archive.org/web/20110310042425/http://piracy.ssrc.org/the-report/

#15yrsago Bahrain’s royals declare martial law https://www.theguardian.com/world/2011/mar/15/bahrain-martial-law-protesters-troops

#15yrsago Libel reform in the UK: telling the truth won’t be illegal any longer? https://www.theguardian.com/media/2011/mar/15/libel-law-reforms

#15yrsago My weird femur printed in stainless steel https://www.flickr.com/photos/doctorow/tags/femur

#15yrsago War on the PC and the network: copyright was just the start https://www.theguardian.com/technology/2011/mar/15/computers-incorporate-spyware-dangers

#15yrsago Poe’s Detective: audio editions of Poe’s groundbreaking detective stories https://memex.craphound.com/2011/03/15/poes-detective-audio-editions-of-poes-groundbreaking-detective-stories/

#15yrsago New York slashes hospital spending, but can’t touch multimillion-dollar CEO paychecks https://www.nytimes.com/2011/03/16/nyregion/16about.html?_r=1&hp

#10yrsago Leaked memo: Donald Trump volunteers banned from critizing him, for life https://web.archive.org/web/20160315161328/http://www.dailydot.com/politics/donald-trump-volunteer-contract-nda-non-disparagement-clause/

#10yrsago Open letter from virtually every leading UK law light: Snooper’s Charter not fit for purpose https://www.theguardian.com/law/2016/mar/14/investigatory-powers-bill-not-up-to-the-task

#10yrsago Life inside God’s customer service prayer call-centre https://web.archive.org/web/20160317153851/http://www.tor.com/2016/03/15/your-orisons-may-be-recorded/

#10yrsago The post-Snowden digital divide: the ability to understand and use privacy tools https://journal.radicallibrarianship.org/index.php/journal/article/view/12/27

#10yrsago Some future for you: the radical rise of hope in the UK https://thebaffler.com/salvos/despair-fatigue-david-graeber

#10yrsago America’s universities: Hedge funds saddled with inconvenient educational institutions https://web.archive.org/web/20160309093147/https://www.thenation.com/article/universities-are-becoming-billion-dollar-hedge-funds-with-schools-attached/

#10yrsago Office chairs made out of old Vespa scooters https://belybel.com/

#5yrsago STREAMLINER https://pluralistic.net/2021/03/15/free-markets/#streamliner

#5yrsago Free markets https://pluralistic.net/2021/03/15/free-markets/#rent-seeking

#5yrsago Making Hay https://pluralistic.net/2021/03/15/free-markets/#making-hay

#1yrago Amazon annihilates Alexa privacy settings, turns on continuous, nonconsensual audio uploading https://pluralistic.net/2025/03/15/altering-the-deal/#telescreen


Upcoming appearances (permalink)

A photo of me onstage, giving a speech, pounding the podium.



A screenshot of me at my desk, doing a livecast.

Recent appearances (permalink)



A grid of my books with Will Stahle covers..

Latest books (permalink)



A cardboard book box with the Macmillan logo.

Upcoming books (permalink)

  • "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, June 2026 (https://us.macmillan.com/books/9780374621568/thereversecentaursguidetolifeafterai/)

  • "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2026

  • "The Post-American Internet," a geopolitical sequel of sorts to Enshittification, Farrar, Straus and Giroux, 2027

  • "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, 2027

  • "The Memex Method," Farrar, Straus, Giroux, 2027



Colophon (permalink)

Today's top sources:

Currently writing: "The Post-American Internet," a sequel to "Enshittification," about the better world the rest of us get to have now that Trump has torched America (1018 words today, 50532 total)

  • "The Reverse Centaur's Guide to AI," a short book for Farrar, Straus and Giroux about being an effective AI critic. LEGAL REVIEW AND COPYEDIT COMPLETE.

  • "The Post-American Internet," a short book about internet policy in the age of Trumpism. PLANNING.

  • A Little Brother short story about DIY insulin PLANNING


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Federal District Courts Hold The Line [The Status Kuo]

A crowd of people gathered outside a federal courthouse in Burlington, Vermont, on Monday to support a woman illegally detained during an immigration raid last week. A federal judge ordered her release. Credit: Vermont Public

Conservative jurist J. Michael Luttig recently noted that, unlike the MAGA justices on the Supreme Court, lower court federal judges have consistently honored their constitutional oaths and collectively struck down essentially every Trump initiative.

Yesterday alone, in courtrooms across Colorado, Boston and Burlington, there were three great examples of this, and I’d like to highlight them today. While it’s understandable to view such district court orders as mere Band-Aids that the conservative justices will just rip off later, they still represent significant victories for the parties involved and often forestall the worst consequences.

And as I argue toward the end of this discussion, the Trump White House might want to rethink the idea that SCOTUS will simply undo whatever blocks the lower courts have placed.

Subscribe now

Food assistance as a weapon

It wasn’t long ago that the White House threatened to leverage SNAP benefits as a political weapon against states that opposed the federal government.

In a December 16, 2025, letter to Governor Tim Walz of Minnesota, Agriculture Secretary Brooke Rollins demanded that his state recertify roughly 100,000 SNAP households through in-person interviews within 30 days. She threatened to cut off the state’s SNAP funding and disqualify it from the program entirely if it did not comply. Minnesota sued, and the court found the USDA had “failed entirely to provide a reasoned explanation for how this pilot project will help it assess fraud in Minnesota.”

The same drama then played out in Colorado, resulting in an order issued yesterday by U.S. District Court Senior Judge R. Brooke Jackson. He formalized a preliminary injunction blocking the USDA from forcing Colorado to participate in a similar food assistance “pilot project.” Judge Jackson ruled the requirement violates federal law, the U.S. Constitution, and “the bounds of reasoned decision-making.”

As with Minnesota, the USDA had sent a letter to Colorado Governor Jared Polis ordering five counties to recertify all SNAP households within 30 days. The order sought to impact approximately 106,500 SNAP households, or 36 percent of all SNAP recipients in the state.

Colorado Attorney General Phil Weiser was pointed in his criticism, calling the letter “punishment from the Trump administration and Agriculture Secretary Rollins, who disagree with our mail-in ballot elections and how we carry out our state criminal justice system,” referring to pressure to commute the sentence of election fraudster Tina Peters. “The administration cannot punish Coloradans into submission, and I’ll continue to fight back when the federal government harms Colorado and acts like it’s above the law.”

At a preliminary hearing, Colorado’s Deputy Solicitor General David Moskowitz noted that the “USDA gave Colorado no advance notice, no time to plan. Just an unexpected letter that showed up in the governor’s mailbox with an untenable deadline. The request wasn’t remotely feasible. … It wasn’t meant to be. This is not a real pilot project.” Judge Jackson pressed the USDA for any evidence it actually had of fraud or mismanagement in the five counties, but the government’s attorney could only cite statistics from other states.

In his written order, Judge Jackson described the USDA’s letter “as astonishing as it is brief.” He elaborated that the recertification letter “runs roughshod” over statutory safeguards Congress established to give SNAP recipients “an orderly, predictable, and fundamentally fair process for periodically demonstrating their continued eligibility.”

Shots heard round the country

Yesterday in Boston, Judge Brian E. Murphy blocked HHS Secretary RFK Jr.’s efforts to reduce the number of recommended child vaccines. Siding with the American Academy of Pediatrics, he ruled that health regulators acted unlawfully by disregarding long-established scientific methods.

Back in January, HHS and the CDC had made sweeping changes to the childhood vaccine schedule, reducing the number of recommended vaccinations from 18 to 11. They dropped recommendations that all babies be protected against hepatitis A, hepatitis B, RSV, dengue and two types of bacterial meningitis. Experts warned this shift would result in significant increase in childhood disease and death.

Judge Murphy ruled that the CDC had not gone through the proper legal channels and thus had “undermined the integrity of its actions.”

In a big victory for health advocates, he also suspended appointments of 13 members of the CDC’s vaccine advisory committee, who were appointed unilaterally by RFK Jr. after he fired all the former members. Because the committee members were improperly appointed, the judge stayed all the votes that had been taken by them. Murphy further noted that the new members had been appointed without a rigorous screening process, and that “even under the most generous reading, only six appear to have any meaningful experience in vaccines.”

Noel Brewer, who was himself fired by Kennedy, heralded the ruling. Speaking of the committee, Brewer charged, “It’s been doing damage to people in the United States, as well as other countries that follow the U.S.’s lead. This is a good day for public health.”

The government is seeking an appeal of the order.

Chipping away at ICE in Vermont

Vermont has now entered the ICE chat in a big and courageous way. A day-long standoff between protestors and federal immigration forces took place last week in South Burlington, Vermont. It was the first such major confrontation in the state.

ICE agents had been targeting a Mexican national whom they claim had re-entered the country illegally. After a multi-vehicle chase, agents said their target had fled into a house on Dorset Street. Migrant activists responded with hundreds of protesters forming a human chain around the perimeter of the house.

The public confrontation stretched nearly nine hours. When a warrant finally came through, federal agents in tactical gear broke down the door, removed three people, and forced them into an unmarked car. So protesters linked arms to block the street.

Eventually, agents drove over a median and deployed flash bangs and tear gas to escape. When the smoke cleared, however, the public learned the man ICE sought was never in the house. Apparently, he had merely been driving a vehicle that one of the people seized had previously owned.

Among those taken was Jisella Johana Patin Patin, a 31-year-old asylum-seeker from Ecuador. She’s the mother of two girls, ages 4 and 8, who attend school in South Burlington. She and her sister had entered the U.S. through the southern border in 2023, and both have pending asylum claims.

Her attorneys sought to free Patin Patin immediately, and Judge Geoffrey Crawford was unambiguous in his ruling: “This is not really contestable.” The judge elected to free her on the spot, saying her situation was so clear-cut that there was no need for a separate bond hearing. “Ms. Patin Patin has done nothing of concern to us and has done much to deserve her community’s support,” Judge Crawford declared from the bench.

Assistant U.S. Attorney Matthew Greer did not address the circumstances surrounding Patin Patin’s detention, nor did he explain why it was necessary. He reiterated only that those who cross the border illegally—which, as asylum seekers, Patin Patin and her sister had not done—are subject to detention. Greer did acknowledge that judges have repeatedly disagreed with this Justice Department assertion.

Defense attorney Kristen Connors is considering pursuing an affirmative remedy for the government’s violation of her client’s legal rights: “The fact that someone broke down the door to her home and detained her using a warrant that did not have her name on it — that’s a big constitutional violation. That can’t keep happening to people.”

Patin Patin emerged from the courthouse to hundreds of jubilant supporters. She and her husband cried together after the hearing, and her first question was about her sister, whose hearing had not yet been scheduled.

But won’t SCOTUS just undo everything?

SCOTUS has regularly undermined federal district courts by using its “shadow docket” to lift injunctions while cases are pending, resulting in free rein for Trump. So we can be forgiven for not wanting to celebrate federal district court rulings prematurely. After all, a lower court stay is only so good as the appellate courts decide it is.

But amid all the terrible news and abuse out of their emergency docket, the Court lately has been less all-in for Trump. Yesterday, for example, it left in place a stay on Kristi Noem’s termination of temporary protected status for Haitian and Syrian migrants, numbering several hundred thousand, and ordered the case heard in April.

Perhaps now that Noem is gone and DHS is under such continued scrutiny from both Congress and the public, even some of the radicals in the majority believe it’s time to draw a line.

Indeed, together with recent adverse rulings on Trump’s troop deployment in Illinois and his illegally issued global tariffs, we are seeing considerable pushback, even from some far-right members of our nation’s highest court.

Trump was furious, calling out his own appointees while claiming they “openly disrespect the Presidents who nominate them to the highest position in the Land” so they can go “out of their way, with bad and wrongful rulings and intentions, to prove how ‘honest,’ ‘independent,’ and ‘legitimate’ they are”—as if those are bad things for a judge to be.

It may seem counter-intuitive for the President to aggressively attack the very justices whose votes he will need to preserve his most aggressive policies, along with the Executive Orders and agency actions that seek to effectuate them. But this is Donald Trump, and nothing makes much sense with him.

Suffice it to say, if the Supreme Court has begun to reach a point where it is no longer rubber-stamping the regime’s most extreme actions, then the lower federal courts will begin to play an even more important role. The courage and fidelity to the Constitution that they have consistently demonstrated will start to pose a far greater threat and higher backstop than ever against anti-democratic, destructive and indefensible policies.

And that is precisely why we must acknowledge and appreciate what they have done and are doing each day.

*** *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** ***

I was honored to be asked by “Markers for Democracy” to moderate a panel of esteemed political cartoonists this Thursday, but due to a conflict I could not attend. If you’d like to tune in, here’s the registration link. It promises to be a fascinating discussion!

09:00 AM

Trump Administration Moves to Allow Intelligence Agencies Easier Access to Law Enforcement Files [Techdirt]

This story was originally published by ProPublica. Republished under a CC BY-NC-ND 3.0 license.

The Trump administration is loosening restrictions on the sharing of law enforcement information with the CIA and other intelligence agencies, officials said, overriding controls that have been in place for decades to protect the privacy of U.S. citizens.

Government officials said the changes could give the intelligence agencies access to a database containing hundreds of millions of documents — from FBI case files and banking records to criminal investigations of labor unions — that touch on the activities of law-abiding Americans.

Administration officials said they are providing the intelligence agencies with more information from investigations by the FBI, Drug Enforcement Administration and other agencies to combat drug gangs and other transnational criminal groups that the administration has classified as terrorists.

But they have taken these steps with almost no public acknowledgement or notification to Congress. Inside the government, officials said, the process has been marked by a similar lack of transparency, with scant high-level discussion and little debate among government lawyers.

“None of this has been thought through very carefully — which is shocking,” one intelligence official said of the moves to expand information sharing. “There are a lot of privacy concerns out there, and nobody really wants to deal with them.”

A spokesperson for the Office of the Director of National Intelligence, Olivia Coleman, declined to answer specific questions about the expanded information sharing or the legal basis for it.

Instead, she cited some recent public statements by senior administration officials, including one in which the national intelligence director, Tulsi Gabbard, emphasized the importance of “making sure that we have seamless two-way push communications with our law enforcement partners to facilitate that bi-directional sharing of information.”

In the aftermath of the Watergate scandal, revelations that Presidents Lyndon Johnson and Richard Nixon had used the CIA to spy on American anti-war and civil rights activists outraged Americans who feared the specter of a secret police. The congressional reforms that followed reinforced the long-standing ban on intelligence agencies gathering information about the domestic activities of U.S. citizens.

Compared with the FBI and other federal law enforcement organizations, the intelligence agencies operate with far greater secrecy and less scrutiny from Congress and the courts. They are generally allowed to collect information on Americans only as part of foreign intelligence investigations. Exemptions must be approved by the U.S. attorney general and the director of national intelligence. The National Security Agency, for example, can intercept communications between people inside the United States and terror suspects abroad without the probable cause or judicial warrants that are generally required of law enforcement agencies.

Since the terror attacks of Sept. 11, 2001, the expansion of that surveillance authority in the fight against Islamist terrorism has been the subject of often intense debates among the three branches of government. 

Word of the Trump administration’s efforts to expand the sharing of law enforcement information with the intelligence agencies was met with alarm by advocates for civil liberties protections.

“The Intelligence Community operates with broad authorities, constant secrecy and little-to-no judicial oversight because it is meant to focus on foreign threats,” Sen. Ron Wyden of Oregon, a senior Democrat on the Senate Select Committee on Intelligence, said in a statement to ProPublica.

Giving the intelligence agencies wider access to information on the activities of U.S. citizens not suspected of any crime “puts Americans’ freedoms at risk,” the senator added. “The potential for abuse of that information is staggering.”

Most of the current and former officials interviewed for this story would speak only on condition of anonymity because of the secrecy of the matter and because they feared retaliation for criticizing the administration’s approach.

Virtually all those officials said they supported the goal of sharing law enforcement information more effectively, so long as sensitive investigations and citizens’ privacy were protected. But after years in which Republican and Democratic administrations weighed those considerations deliberately — and made little headway with proposed reforms — officials said the Trump administration has pushed ahead with little regard for those concerns.

“There will always be those who simply want to turn on a spigot and comingle all available information, but you can’t just flip a switch — at least not if you want the government to uphold the rule of law,” said Russell Travers, a former acting director of the National Counterterrorism Center who served in senior intelligence roles under both Republican and Democratic administrations.

The 9/11 attacks — which exposed the CIA’s failure to share intelligence with the FBI even as Al Qaida moved its operatives into the United States — led to a series of reforms intended to transform how the government managed terrorism information.

A centerpiece of that effort was the establishment of the NCTC, as the counterterrorism center is known, to collect and analyze intelligence on foreign terrorist groups. The statutes that established the NCTC explicitly prohibit it from collecting information on domestic terror threats.

National security officials have spent much less time trying to remedy what they have acknowledged are serious deficiencies in the government’s management of intelligence on organized crime groups.

In 2011, President Barack Obama noted those problems in issuing a new national strategy to “build, balance and integrate the tools of American power to combat transnational organized crime.” Although the Obama plan stressed the need for improved information-sharing, it led to only minimal changes.

President Donald Trump has seized on the issue with greater urgency. He has also declared his intention to improve information-sharing across the government, signing an executive order to eliminate “information silos” of unclassified information.

More consequentially, he went on to brand more than a dozen Latin American drug mafias and criminal gangs as terrorist organizations.

The administration has used those designations to justify more extreme measures against the criminal groups. Since last year, it has killed at least 148 suspected drug smugglers with missile strikes in the Caribbean and the eastern Pacific, steps that many legal experts have denounced as violations of international law.

Some administration officials have argued that the terror designations entitle intelligence agencies to access all law enforcement case files related to the Sinaloa Cartel, the Jalisco New Generation Cartel and other gangs designated by the State Department as foreign terrorist organizations.

The first criterion for those designations is that a group must “be a foreign organization.” Yet unlike Islamist terror groups such as al-Qaida or al-Shabab, Latin drug mafias and criminal gangs like MS-13 have a large and complex presence inside the United States. Their members are much more likely to be U.S. citizens and to live and operate here.

On Sept. 22, the Trump administration also designated the loosely organized antifascist political movement antifa as a terrorist group, despite the lack of any federal law authorizing it to do so. Weeks later, the administration named four European militant groups said to be aligned with antifa to the government’s list of foreign terrorist organizations.

Those steps were seen by some intelligence experts as potentially opening the door for the CIA and other agencies to monitor Americans who support antifa in violation of their free speech rights. The approach also echoed justifications that both Johnson and Nixon used for domestic spying by the CIA: that such investigations were needed to determine whether government critics were being supported by foreign governments.

The wider sharing of law enforcement case files is also being driven by the administration’s abrupt decision to disband the Justice Department office that for decades coordinated the work of different agencies on major drug trafficking and organized crime cases. That office, the Organized Crime Drug Enforcement Task Force, was abruptly shut down on Sept. 30 as the Trump administration was setting up a new network of Homeland Security Task Forces designed by the White House homeland security adviser, Stephen Miller.

The new task forces, which were first described in detail by ProPublica last year, are designed to refocus federal law enforcement agencies on what Miller and other officials have portrayed as an alarming nexus of immigration and transnational crime. The reorganization also gives the White House and the Department of Homeland Security new authority to oversee transnational crime investigations, subordinating the DEA and federal prosecutors, who were central to the previous system.

That reorganization has set off a struggle over the control of OCDETF’s crown jewel, a database of some 770 million records that is the only central, searchable repository of drug trafficking and organized crime case files in the federal government.

Until now, the records of that database, which is called Compass, have only been accessible to investigators under elaborate rules agreed to by the more than 20 agencies that shared their information. The system was widely viewed as cumbersome, but officials said it also encouraged cooperation among the agencies while protecting sensitive case files and U.S. citizens’ privacy.

Although the Homeland Security Task Forces took possession of the Compass system when their leadership moved into OCDETF’s headquarters in suburban Virginia, the administration is still deciding how it will operate that database, officials said.

However, officials said, intelligence agencies and the Defense Department have already taken a series of technical steps to connect their networks to Compass so they can access its information if they are permitted to do so.

The White House press office did not respond to questions about how the government will manage the Compass database and whether it will remain under the control of the Homeland Security Task Forces.

The National Counterterrorism Center, under its new director, Joe Kent, has been notably forceful in seeking to manage the Compass system, several officials said. Kent, a former Army Special Forces and CIA paramilitary officer who twice ran unsuccessfully for Congress in Washington state, was previously a top aide to the national intelligence director, Tulsi Gabbard.

The FBI, DEA and other law enforcement agencies have strongly opposed the NCTC effort, the officials said. In internal discussions, they added, the law enforcement agencies have argued that it makes no sense for an intelligence agency to manage sensitive information that comes almost entirely from law enforcement.

“The NCTC has taken a very aggressive stance,” one official said. “They think the agencies should be sharing everything with them, and it should be up to them to decide what is relevant and what U.S. citizen information they shouldn’t keep.”

The FBI declined to comment in response to questions from ProPublica. A DEA spokesperson also would not discuss the agency’s actions or views on the wider sharing of its information with the intelligence community. But in a statement the spokesman added, “DEA is committed to working with our IC and law enforcement partners to ensure reliable information-sharing and strong coordination to most effectively target the designated cartels.”

Even with the Trump administration’s expanded definition of what might constitute terrorist activity, the information on terror groups accounts for only a small fraction of the records in the Compass system, current and former officials said.

The records include State Department visa records, some files of U.S. Postal Service inspectors, years of suspicious transaction reports from the Treasury Department and call records from the Bureau of Prisons.

Investigative files of the FBI, DEA and other law enforcement agencies often include information about witnesses, associates of suspects and others who have never committed any crimes, officials said.

“You have witness information, target information, bank account information,” the former OCDETF director, Thomas Padden, said in an interview. “I can’t think of a dataset that would not be a concern if it were shared without some controls. You need checks and balances, and it’s not clear to me that those are in place.”

Officials familiar with the interagency discussions said NCTC and other intelligence officials have insisted they are interested only in terror-related information and that they have electronic systems that can appropriately filter out information on U.S. persons.

But FBI and other law enforcement agencies have challenged those arguments, officials said, contending that the NCTC proposal would almost inevitably breach privacy laws and imperil sensitive case information without necessarily strengthening the fight against transnational criminals.

Already, NCTC officials have been pressing the FBI and DEA to share all the information they have on the criminal groups that have been designated as terrorist organizations, officials said.

The DEA, which had previously earned a reputation for jealously guarding its case files, authorized the transfer of at least some of those files, officials said, adding to pressure on the FBI to do the same.

Administration lawyers have argued that such information sharing is authorized by the Intelligence Reform and Terrorism Prevention Act of 2004, the law that reorganized intelligence activities after 9/11. Officials have also cited the 2001 Patriot Act, which gives law enforcement agencies power to obtain financial, communications and other information on a subject they certify as having ties to terrorism.

The central role of the NCTC in collecting and analyzing terrorism information specifically excludes “intelligence pertaining exclusively to domestic terrorists and domestic counterterrorism.” But that has not stopped Kent or his boss, intelligence director Gabbard, from stepping over red lines that their predecessors carefully avoided.

In October, Kent drew sharp criticism from the FBI after he examined files from the bureau’s ongoing investigation of the assassination of Charlie Kirk, the right-wing activist. That episode was first reported by The New York Times.

Last month, Gabbard appeared to lead a raid at which the FBI seized truckloads of 2020 presidential voting records from an election center in Fulton County, Georgia. Officials later said she was sent by Trump but did not oversee the operation.

In years past, officials said, the possibility of crossing long-settled legal boundaries on citizens’ privacy would have precipitated a flurry of high-level meetings, legal opinions and policy memos. But almost none of that internal discussion has taken place, they said.

“We had lengthy interagency meetings that involved lawyers, civil liberties, privacy and operational security types to ensure that we were being good stewards of information and not trampling all over U.S. persons’ privacy rights,” said Travers, the former NCTC director.

When administration officials abruptly moved to close down OCDETF and supplant it with the Homeland Security Task Forces network, they seemed to have little grasp of the complexities of such a transition, several people involved in the process said.

The agencies that contributed records to OCDETF were ordered to sign over their information to the task forces, but they did so without knowing if the system’s new custodians would observe the conditions under which the files were shared.

Nor were they encouraged to ask, officials said.

While both the FBI and DEA have objected to a change in the protocols, officials said smaller agencies that contributed some of their records to the OCDETF system have been “reluctant to push back too hard,” as one of them put it.

The NCTC, which faced budget cuts during the Biden administration, has been among those most eager to service the new Homeland Security Task Forces. To that end, it set up a new fusion center to promote “two-way intelligence sharing of actionable information between the intelligence community and law enforcement,” as Gabbard described it.

The expanded sharing of law enforcement and intelligence information on trafficking groups is also a key goal of the Pentagon’s new Tucson, Arizona-based Joint Interagency Task Force-Counter Cartel. In announcing the task force’s creation last month, the U.S. Northern Command said it would work with the Homeland Security Task Forces “to ensure we are sharing all intelligence between our Department of War, law enforcement and Intelligence Community partners.”

In the last months of the Biden administration, a somewhat similar proposal was put forward by the then-DEA administrator, Anne Milgram. That plan involved setting up a pair of centers where DEA, CIA and other agencies would pool information on major Mexican drug trafficking groups.

At the time, one particularly strong objection came from the Defense Department’s counternarcotics and stabilization office, officials said. The sharing of such law enforcement information with the intelligence community, an official there noted, could violate laws prohibiting the CIA from gathering intelligence on Americans inside the United States.

The Pentagon, he warned, would want no part of such a plan.

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